Reprint of the original, first published in 1875.

The renowned novelist and author of This Year You Write a Novel shares a “compact but insight-rich” guide to fiction writing (Publishers Weekly). In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this complementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. For writers who want to approach the genius of Melville, Dickens, or Twain, The Elements of Fiction is a must-read. Mosley demonstrates how to master fiction’s most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.

A heartbreaking and deeply compelling debut, Mrs. Sinclair’s Suitcase is a compulsive page-turner about thwarted love, dashed hopes, and family secrets—book-club fiction at its best. Roberta, a lonely thirty-four-year-old bibliophile, works at The Old and New Bookshop in England. When she finds a letter inside her centenarian grandmother’s battered old suitcase that hints at a dark secret, her understanding of her family’s history is completely upturned. Running alongside Roberta’s narrative is that of her grandmother, Dorothy, as a forty-year-old childless woman desperate for motherhood during the early years of World War II. After a chance encounter with a Polish war pilot, Dorothy believes she’s finally found happiness, but must instead make an unthinkable decision whose consequences forever change the framework of her family. The parallel stories of Roberta and Dorothy unravel over the course of eighty years as they both make their own ways through secrets, lies, sacrifices, and love. Utterly absorbing, Mrs. Sinclair’s Suitcase is a spellbinding tale of two worlds, one shattered by secrets and the other by the truth.

In this YA novel, Betty starts to investigate her mother’s murder and uncovers a sinister connection to the wealthy family she works for.

In Walterboro, twenty-one-year old Burden, filled with guilt over the death of his cousin, decides to have affairs with married women until a jealous husband kills him.

Walter Mosley is one of America’s bestselling novelists, known for his critically acclaimed series of mysteries featuring private investigator Easy Rawlins. His writing is hard-hitting, often limned with a political subtext, and aimed at a broad audience. Years ago, when Mosley was working on a doctorate in political theory, he envisioned writing very different kinds of books from those for which he has become celebrated. But once you’ve been tagged as a novelist, and in Mosley’s case, a genre writer, even a bestselling one, it is hard to get an airing for ideas that cross those boundaries. Folding the Red into the Black has grown out of Mosley’s public talks, which have gotten both enthusiastic and agitated responses, making him feel the ideas in those talks should be explored in greater depth. Mosley’s is an elastic mind, and in this short polemic he frees himself to explore some novel ideas. He draws on personal experiences and insights as an African-American, a Jew, and one of our great writers to present an alternative manifesto of sorts: “We need to throw off the unbearable weight of bureaucratic capitalist and socialist demands; demands that exist to perpetuate these systems, not to praise and raise humanity to its full promise. And so I propose the word, the term Untopia.”

Survivors of the Black Death face new dangers as they seek safety and freedom in the New York Times–bestselling author’s sequel to The Last Hours. England, Winter, 1348. As the Black Death continues its devastating course across England, the quarantined people of Develish question whether they are the only survivors. Guided by their beloved young mistress, Lady Anne, they wait, knowing that when their dwindling stores are finally gone, they will have to leave the safety of their moated walls. But first, to prepare for the wasteland outside, one courageous man must venture out alone. Thaddeus Thurkell, a free-thinking, educated serf, goes in search of supplies and news. A compelling leader, he and his companions quickly throw off the shackles of serfdom and set their minds to ensuring Develish’s future—and freedom for its people. But what use is freedom that cannot be gained lawfully? When Lady Anne and Thaddeus conceive an audacious plan to secure her people’s independence, neither foresees the life-threatening struggle over power, money and religion that follows . . .