A collection representing the history and heritage of Disney's anthology series, beginning in 1933.

Short stories and long adventures marking milestones in Disney Comics history. Join us as we travel from the Mickey Mouse epics of Floyd Gottfredson and Paul Murry to the long Donald Duck and Uncle Scrooge adventures of Carl Barks and Don Rosa! Also included are Romano Scarpa's Goofy and Renato Canini's Jose Carioca; Dutch "Donaldism" by Daan Jippes and Mau Heymans; Egmont creators Vicar, Daniel Branca, Byron Erickson, Cesar Ferioli and more!

Five new stories featuring Donald Duck, Mickey Mouse, and friends.

Hello, Dali! When Walt Disney and famed abstract artist Salvador Dali teamed up in 1946, they birthed a famed cartoon featurette called Destino... that wouldn't be seen until decades after its inception! How come? Would you believe--Mickey Mouse, Donald Duck, and Goofy invaded Dali's outrageous world of art, and turned Uncle Walt's plans even abstract-er than before! Then stick around for more action with Donald, Mickey, and the whole Walt Disney's Comics and Stories supporting cast! Donald and evil Argus McSwine clash as demolition derby drivers in "Roadhogs," and as superhot curry chefs in "You Vindaloo, You Lose a Few!" Then, in "Night of the Living Text," Mickey and Goofy learn they're really living in a comic book--or are they? Collects IDW's Walt Disney's Comics and Stories #733-735.

"Originally published in Walt Disney's comics and stories issues #721-732."

The classic, critical and humorous study of cultural imperialism and children's literature; how the Disney fantasy world reproduces the "American Dream" fantasy world, and the disastrous effect of Disney comics and other "mass" cultural merchandise on the development of the so-called "Third" World. In 1973 this work was banned and burned in Chile, and later the English edition was banned for more than a year by the US government. In comic book format with cartoon examples, introduction by David KUNZLE on the Disney world, a bibliography of left writings on cultural imperialism and the comics, and an appendix by John Shelton LAWRENCE on the book's US censorship and the legal-political issues involved in the right to criticize Disney