When her stepsisters and stepmother provide more chores for Cinderella to do on her birthday, some friendly mice come to her aid.

Timothy Mouse helps the mouse children who live in Cinderella's castle attend Dumbo's Flying Circus.

In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor. Princesa of the Periphery explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, author Diana Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification. This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.

8x8 with audio based on Snow White and the Seven Dwarfs.

Leading film critic of her generation offers an unflinchingly honest and humorous account of her millennial journey towards self-acceptance through a cinematic lens. Hanna Flint speaks from the heart in Strong Female Character, a personal and incisive reflection on how cinema has been the key to understanding herself and the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. Interweaving anecdotes from familial and personal experiences - episodes of messy sex, introspection, and that time actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - she offers a critical eye on the screen's representation of women and ethnic minorities, their impact on her life, body image and ambitions, with the humour and eloquence that has made her a leading film critic of her generation. Divided into the sections Origin Story, Coming of Age, Adult Material, Workplace Drama and Strong Female Character, the book ponders how the creative industries could better reflect our multicultural society. Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.