"David Stein brought right-wing congressmen, celebrities, writers and entertainment industry figures together for shindigs, closed to outsiders. . . . There was just one problem. Stein was not who he claimed."—The Guardian In 2013, Republican "hero" David Stein made international headlines when he was unmasked as David Cole, the notorious Jewish Holocaust denier who made an entirely different set of headlines in the 1990s with his videos from within the gates of Auschwitz and his appearances on shows like 60 Minutes and Donahue. After a $25,000 bounty was put on his head by a violent extremist group, Cole left behind the bizarre world of Holocaust denial, a landscape populated by Hitler fetishists who Cole himself detested. Then, David Stein the Republican organizer was born. Stein soon became a major force in the closed-door world of Hollywood right-wingers—people who felt as alienated from the mainstream of their profession as Cole had felt as the lone Jewish Holocaust revisionist. Soon enough, Stein was working with major GOP power players and far-right Hollywood A-listers, creating huge private events for the West Coast GOP elite . . . until it all came crashing down when a vengeful former girlfriend outed him publicly. Condemned by those who had previously lauded him, Cole was left with nothing but his story. And here he tells it, warts and all, including the first-ever exposé of the secretive Hollywood far-right underground, "Friends of Abe."

“If Love, Actually and National Lampoon’s Christmas Vacation are your two favorite holiday movies, you’re going to love The Adults.”—Bustle NAMED ONE OF THE BEST BOOKS OF THE YEAR BY REAL SIMPLE • “Sometimes a nasty family comedy is just what you need for the holidays.”—Entertainment Weekly Meet The Adults. Claire and Matt are no longer together but decide that it would be best for their daughter, Scarlett, to have a “normal” family Christmas. They can’t agree on whose idea it was to go to the Happy Forest holiday park, or who said they should bring their new partners. But someone did—and it’s too late to pull the plug. Claire brings her new boyfriend, Patrick (never Pat), a seemingly sensible, eligible from a distance Ironman in Waiting. Matt brings the new love of his life, Alex, funny, smart, and extremely patient. Scarlett, who is seven, brings her imaginary friend Posey. He’s a giant rabbit. Together the five (or six?) of them grit their teeth over Forced Fun Activities, drink a little too much after Scarlett’s bedtime, overshare classified secrets about their pasts . . . and before you know it, their holiday is a powder keg that ends where this novel begins—with a tearful, frightened call to the police. What happened? They said they’d all be adults about this. . . . Praise for The Adults “A delectable premise . . . Hulse skewers her characters uproariously, zeroing in on every quirk, and she humanizes them, too.”—Entertainment Weekly “The ending is worth every page turned in this funny, redeeming wade through the rough tide of blended family.”—San Francisco Chronicle “Caroline Hulse’s farcical debut is an ode to the big personalities and drama you find in families—unconventional and not.”—Real Simple “This wry holiday novel will make you chuckle and remind you that nobody’s family is perfect. If you’ve ever sat through an awkward family dinner (who hasn’t?), you’ll relate so hard.”—HelloGiggles “Brilliantly funny.”—Good Housekeeping (UK) “Razor-sharp comedy.”—Sunday Mirror

Welcome to the world of The Grade Cricketer. Described as the most original voice in cricket, The Grade Cricketer represents the fading hopes and dreams of every ageing amateur sportsman. In this tell-all 'autobiography', The Grade Cricketer describes his cricketing career with unflinching honesty and plenty of humour, in turn providing insights into the hyper-masculine cricket 'dressing room'. This one-time junior prodigy is now experiencing the lean, increasingly existential years of adult cricket. Here, he learns quickly that one will need more than just runs and wickets to make it in the alpha-dominated grade cricket jungle, where blokes like Nuggsy, Bruiser, Deeks and Robbo reign supreme. Through it all, The Grade Cricketer lays bare his deepest insecurities - his relationship with Dad, his fleeting romances outside the cricket club - and, in turn, we witness a gentle maturation; a slow realisation that perhaps, just maybe, there is more to life than hitting 50 not out in third grade and enjoying a few celebratory beers afterwards. Or is there? * * * The Grade Cricketer book is based upon the popular Twitter account, @gradecricketer, which has received critical acclaim for its frighteningly honest portrayal of amateur cricket. Now, the time has finally come for this middling amateur sportsman to tell his story in full. 'The Grade Cricketer is the finest tribute to a sport since Nick Hornby's Fever Pitch, and the best cricket book in yonks. It's belly-laughing funny but it's also a hymn to the grand and complex game delivered with a narrative pace and ability I'm afraid most Test players don't have. For anyone who ever dreamed of excelling at a sport but never quite made it but still gave it your life, this is the story. A great read!' - Tom Keneally AO.

The extraordinarily intense novel Conscious of Guilt enters the mind of a man who has been pushed to the very limits. Seventy-year-old Eric Brand is a struggling pensioner living in London with his frail wife, Helen. The Brands are devastated when their son and daughter-in-law are brutally murdered by a gang. Helen collapses at the news and ends up in a coma. Consumed with rage and believing he has nothing to lose, Eric vows revenge. After weeks of frustration, he tracks the gang down and acquires a gun. Recognizing Eric's ruthlessness and seeming lack of conscience, Eric is approached by a man wanting him to become a contract killer. Will he be seduced by the siren call of the gun or will he regret what he has done in the name of vengeance? Will Eric feel Conscious of Guilt?

This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.

The latest collection of David Storey's plays; including the newly revised and revived The Changing Room. Introduced by the author This third volume of David Storey's plays contains The Changing Room (Royal Court 1971): "If The Changing Room is Storey's most powerful drama, it is because he has found in sport his purest metaphor for the war of existence" (Time Magazine); Cromwell (Royal Court 1973): "An exploration of the vices and virtues of the English Puritan instinct using the historical associations of the Cromwellian period. On top of that it is also an impressive piece of poetic drama employing a spare, flinty, concrete language that seems to be hewn out of rock...a rich and complex play" (Guardian); Life Class: "a portrait of a man, dangerous, controlled, and wounded, who brings down his whole career in one enormous gesture signifying that all we hold of good from the past is now incapable of renewal and irrelevant to our present needs...Life Class is not merely a very good play. It is a blazing masterpiece...It is a tremendous experience and its glare lights up the sky." (Sunday Times) "David Storey is a writer who genuinely extends the territory of drama" (Guardian)