Wallace Stegner (1909-1993) was, in the words of historian T. H. Watkins, "a walking tower of American letters." Winner of the Pulitzer prize and the National Book Award for fiction, founder of the Stanford Writing Program, recipient of three Guggenheim fellowships and innumerable honorary degrees, Stegner was both a brilliant writer and an exceptional teacher.Wallace Stegner and the Continental Vision brings together leading literary critics, historians, legal scholars, geographers, scientists, and others to present a multifaceted exploration of Stegner's work and its impact, and a thought-provoking examination of his life. Contributors consider Stegner as writer, as historian, and as conservationist, discussing his place in the American literary tradition, his integral role in shaping how Americans relate to the land, and his impact on their own personal lives and careers. They present an eclectic mix of viewpoints as they explore aspects of Stegner's work that they find most intriguing, inspiring, and provocative: Jackson J. Benson on the personal qualities that so distinctively shaped Stegner's writings Walter Nugent on the historical context of Stegner's definition of the West T. H. Watkins on Stegner's contributions to the modern conservation movement Terry Tempest Williams on Stegner's continuing importance as an "elder" in the community of writers he nurtured Other contributors include Dorothy Bradley, John Daniel, Daniel Flores, Melody Graulich, James R. Hepworth, Richard L. Knight, Curt Meine, Thomas R. Vale, Elliott West, and Charles F. Wilkinson.Wallace Stegner and the Continental Vision is an illuminating look at Stegner's many and varied contributions to American literature and society. Longtime admirers of Stegner will appreciate it for the new perspectives it provides, while readers less familiar with him will find it a valuable and accessible introduction to his life and work.

Wallace Stegner is an iconic western writer. His works of fiction, including the Pulitzer Prize–winning Angle of Repose and Big Rock Candy Mountain, as well as his nonfiction books and essays introduced the beauty and character of the American West to thousands of readers. Wallace Stegner’s Unsettled Country assesses his life, work, and legacy in light of contemporary issues and crises. Along with Stegner’s achievements, the contributors show how his failures offer equally crucial ways to assess the past, present, and future of the region. Drawing from history, literature, philosophy, law, geography, and park management, the contributors consider Stegner’s racial liberalism and regional vision, his gendered view of the world, his understandings of conservation and the environment, his personal experience of economic collapse and poverty, his yearning for community, and his abiding attachment to the West. Wallace Stegner’s Unsettled Country is an even-handed reclamation of Stegner’s enduring relevance to anyone concerned about the American West’s uncertain future.

In this volume experienced and new college- and university-level teachers will find practical, adaptable strategies for designing or updating courses in western American literature and western studies. Teaching Western American Literature features the latest developments in western literary research and cultural studies as well as pedagogical best practices in course development. Contributors provide practical models and suggestions for courses and assignments while presenting concrete strategies for teaching works both inside and outside the canon. In addition, Brady Harrison and Randi Lynn Tanglen have assembled insights from pioneering western studies instructors with workable strategies and practical advice for translating this often complex material for classrooms from freshman writing courses to graduate seminars. Teaching Western American Literature reflects the cutting edge of western American literary study, featuring diverse approaches allied with women’s, gender, queer, environmental, disability, and Indigenous studies and providing instructors with entrée into classrooms of leading scholars in the field.

“Respectful of his subject but never worshipful, Fradkin has given us our first full critical portrait of the man and his protean career..”—Hampton Sides, author of Blood and Thunder: An Epic of the American West

The western American landscape has always had great significance in American thinking, requiring an unlikely union between frontier mythology and the reality of a fragile western environment. Additionally it has borne the burden of being a gendered space, seen by some as the traditional "virgin land" of the explorers and pioneers, subject to masculine desires, and by others as a masculine space in which the feminine is neither desired nor appreciated. Both Wallace Stegner and Cormac McCarthy focus on this landscape and environment; its spiritual, narrative, symbolic, imaginative, and ideological force is central to their work. In this study, McGilchrist shows how their various treatments of these issues relate to the social climates (pre- and post-Vietnam era) in which they were written, and how despite historical discontinuities, both Stegner and McCarthy reveal a similar unease about the effects of the myth of the frontier on American thought and life. The gendering of the landscape is revealed as indicative of the attempts to deny the failure of the myth, and to force the often numinous western landscape into parameters which will never contain it. Stegner's pre-Vietnam sensibility allows the natural world to emerge tentatively triumphant from the ruins of frontier mythology, whereas McCarthy's conclusions suggest a darker future for the West in particular and America in general. However, McGilchrist suggests that the conclusion of McCarthy's Border Trilogy, upon which her arguments regarding McCarthy are largely based, offers a gleam of hope in its final conclusion of acceptance of the feminine.

The Blackwell Companion to American Regional Literature is the most comprehensive resource yet published for study of this popular field. The most inclusive survey yet published of American regional literature. Represents a wide variety of theoretical and historical approaches. Surveys the literature of specific regions from California to New England and from Alaska to Hawaii. Discusses authors and groups who have been important in defining regional American literature.

In this beautifully written account, John Thomas details an intimate portrait of the intellectual friendship between two commanding figures of western letters and the early environmental movement--Wallace Stegner and Bernard DeVoto.. The authors of enormously popular works--Stegner most well known for his novels The Big Rock CandyMountain and the Pulitzer Prize-winning Angle of Repose and DeVoto for his classic history of western exploration, The Course of Empire--they also played important roles in the efforts to stop government and private interests from carving up the vanishing West. Part of the fractious group of public intellectuals at Harvard that included Edmund Wilson, Mary McCarthy, and Arthur Schlesinger, Sr., they saw no contradiction between their literary and political selves and entered the public debate with conviction and passion. Drawing on their writings, personal correspondence, and dozens of articles from the pages of Harper's, where DeVoto was a columnist for years, this illuminating account demonstrates how their concerns for the western environment continue to resonate today.