In Walking With Abel, journalist Anna Badkhen joins a family of Fulani cowboys as they embark on their annual migration across the Savannah. Although their present is increasingly under threat from Islamic militants, climate change and urbanization, the Fulani are no strangers to uncertainty - brilliantly resourceful and resilient, they've contended with famines, droughts and wars for centuries. Dubbed 'Anna Ba' by the nomads, who embrace her as one of theirs, Badkhen narrates the Fulani's journeys with compassion and keen observation.

Look out for Anna Badkhen's new book, Fisherman's Blues: A West African Community at Sea, on sale now An intrepid journalist joins the planet’s largest group of nomads on an annual migration that, like them, has endured for centuries. Anna Badkhen has forged a career chronicling life in extremis around the world, from war-torn Afghanistan to the border regions of the American Southwest. In Walking with Abel, she embeds herself with a family of Fulani cowboys—nomadic herders in Mali’s Sahel grasslands—as they embark on their annual migration across the savanna. It’s a cycle that connects the Fulani to their past even as their present is increasingly under threat—from Islamic militants, climate change, and the ever-encroaching urbanization that lures away their young. The Fulani, though, are no strangers to uncertainty—brilliantly resourceful and resilient, they’ve contended with famines, droughts, and wars for centuries. Dubbed “Anna Ba” by the nomads, who embrace her as one of theirs, Badkhen narrates the Fulani’s journeys and her own with compassion and keen observation, transporting us from the Neolithic Sahara crisscrossed by rivers and abundant with wildlife to obelisk forests where the Fulani’s Stone Age ancestors painted tributes to cattle. As they cross the Sahel, the savanna belt that stretches from the Indian Ocean to the Atlantic, they accompany themselves with Fulani music they download to their cell phones and tales of herders and hustlers, griots and holy men, infused with the myths the Fulani tell themselves to ground their past, make sense of their identity, and safeguard their—our—future.

NAMED A BEST BOOK OF THE YEAR BY THE CHRISTIAN SCIENCE MONITOR AND PASTE MAGAZINE An intimate account of life in a West African fishing village, tugged by currents ancient and modern, and dependent on an ocean that is being radically transformed. The sea is broken, fishermen say. The sea is empty. The genii have taken the fish elsewhere. For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But in an Atlantic decimated by overfishing and climate change, the fish are harder and harder to find. Here, Badkhen discovers, all boundaries are permeable--between land and sea, between myth and truth, even between storyteller and story. Fisherman's Blues immerses us in a community navigating a time of unprecedented environmental, economic, and cultural upheaval with resilience, ingenuity, and wonder.

Seven Brothers. Seven Brides. A revenge seven years in the making. Eight years ago, my family was betrayed by those closest to us. Now we’re back in Sabine Valley, staging our return during the feast of Lammas, where I step into the ring and ensure we’re given what we’re owed. Who we’re owed. Our enemies send their seven best warriors against me. With each victory, I win a Bride for each of my brothers. And for me? I’m saving the best for last. My Bride is Harlow, the woman claimed by the man I used to call friend—the one responsible for our exile. Eli. And if Eli has a problem with it? Well, then I’ll take him as my Bride, too. All the better to enact my revenge…and bring Sabine Valley to its knees. The Paine brothers are back, and we’re here to stay. In Abel, you’ll find: - Friends to Enemies to Lovers - Hate Sex - MMF Romance - Marriage of Convenience x2 - Relationship in trouble

In The DNA of Leadership Dick Abel has given us a concise but meaningful discussion of the attributes, challenges, and rewards of being a principled and effective leader. He has led the life, knows the subject matter, and given anyone who would hope to productively lead in any walk of life a great reference work.

William's Steig's Abel's Island tells the story of a mouse who gets swept away from his beloved wife—a truly timeless classic about life's simple pleasures. Abel's place in his familiar, mouse world has always been secure; he had an allowance from his mother, a comfortable home, and a lovely wife, Amanda. But one stormy August day, furious flood water carry him off and dump him on an uninhabited island. Despite his determination and stubborn resourcefulness--he tried crossing the river with boats and ropes and even on stepping-stones--Abel can't find a way to get back home. Days, then weeks and months, pass. Slowly, his soft habits disappear as he forages for food, fashions a warm nest in a hollow log, models clay statues of his family for company, and continues to brood on the problem of how to get across the river--and home. Abel's time on the island brings him a new understanding of the world he's separated from. Faced with the daily adventure of survival in his solitary, somewhat hostile domain, he is moved to reexamine the easy way of life he had always accepted and discovers skills and talents in himself that hold promise of a more meaningful life, if and when he should finally return to Mossville and his dear Amanda again. Abel's Island is a 1976 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1977 Newbery Honor Book. It was adapted to a short animated film directed by Michael Sporn in 1988.

An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.