Walking Down Memory Lane is a Do-it-yourself Memoir. This book has the questions to all the memories that you stored through your growing years.

“A brutally honest memoir that socks you in the gut with its candor” (Elton John and David Furnish) about lust, abuse, addiction, stardom, and redemption from Arrow and Teen Wolf actor Colton Haynes. In 2018, Colton Haynes woke up in a hospital. He’d had two seizures, lost vision in one eye, almost ruptured a kidney, and been put on an involuntary psychiatric hold. Not yet thirty, he knew he had to take stock of his life and make some serious changes if he wanted to see his next birthday. As he worked towards sobriety, Haynes allowed himself to become vulnerable for the first time and discovered profound self-awareness. He had millions of social media followers who constantly told him they loved him. But what would they think if they knew his true story? If they knew where he came from and the things he had done? Now, Colton bravely pulls back the curtain on his life and career, revealing the incredible highs and devastating lows. From his unorthodox childhood in a small Kansas town, to coming to terms with his sexuality, he keeps nothing back. By sixteen, he had been signed by the world’s top modeling agency and his face appeared on billboards. But he was still a broke, lonely, confused teenager, surrounded by people telling him he could be a star as long as he never let anyone see his true self. As Colton’s career in television took off, the stress of wearing so many masks and trying to please so many different people turned his use of drugs and alcohol into full-blown addiction. “In searing, honest prose, he tells a coming-of-age story that is utterly his own, yet surprisingly universal” (Bill Clegg, New York Times bestselling author)—of dreams deferred and dreams fulfilled; of a family torn apart and rebuilt; and of a man stepping into the light as no one but himself.

This girl, an engineering graduate from Mumbai, shares her experience during the tours she undertook for work purposes. She describes different characters (people) she met and how they became a part of her journey called life. From some she got some good experience and from some she got to learn. She lives not only with her family and friends but shares her life with the memories of all those who accompanied her during that respective patch of the path she has travelled through. Coming from a lower-middle-class background, the journey was not easy but she sailed through. She owes her fearless approach & confident personality to all of them. She is a woman of the family who set an example for everyone.

Written with elegance, warmth, and humor, this highly original "teaching memoir" by William Zinsser—renowned bestselling author of On Writing Well gives you the tools to organize and recover your past, and the confidence to believe in your life narrative. His method is to take you on a memoir of his own: 13 chapters in which he recalls dramatic, amusing, and often surprising moments in his long and varied life as a writer, editor, teacher, and traveler. Along the way, Zinsser pauses to explain the technical decisions he made as he wrote about his life. They are the same decisions you'll have to make as you write about your own life: matters of selection, condensation, focus, attitude, voice, and tone.

When Amy E. Wallen's southern, blue-collar, peripatetic family was transferred from Ely, Nevada, to Lagos, Nigeria, she had just turned seven. From Nevada to Nigeria and on to Peru, Bolivia, and Oklahoma, the family wandered the world, living in a state of constant upheaval. When We Were Ghouls follows Wallen's recollections of her family who, like ghosts, came and went and slipped through her fingers, rendering her memories unclear. Were they a family of grave robbers, as her memory of the pillaging of a pre-Incan grave site indicates? Are they, as the author's mother posits, "hideous people?" Or is Wallen's memory out of focus? In this quick-paced and riveting narrative, Wallen exorcizes these haunted memories to clarify the nature of her family and, by extension, her own character. Plumbing the slipperiness of memory and confronting what it means to be a "good" human, When We Were Ghouls links the fear of loss and mortality to childhood ideas of permanence. It is a story about family, surely, but it is also a representation of how a combination of innocence and denial can cause us to neglect our most precious earthly treasures: not just our children but the artifacts of humanity and humanity itself.

Confessions of a Serial Songwriter is an amusing and poignant memoir about songwriter Shelly Peiken's journey from young girl falling under the spell of magical songs to working professional songwriter writing hits of her own. It's about growing up, the creative process – the highs and the lows, the conflicts that arise between motherhood and career success, the divas and schemers, but also the talented and remarkable people she's found along the way. It's filled with stories and step-by-step advice about the songwriting process, especially collaboration. And it's about the challenge of staying relevant in a rapidly changing and youth-driven world. As Shelly so eloquently states in Confessions of a Serial Songwriter: “If I had to come up with one X factor that I could cite as a characteristic most hit songs have in common (and this excludes hit songs that are put forth by an already well-oiled machine...that is, a recording artist who has so much notoriety and momentum that just about anything he or she releases, as long as it's 'pretty good ' will have a decent shot at succeeding), I would say it would be: A universal sentiment in a unique frame.” Peiken has tapped the universal sentiment again and again; her songs have been recorded by such artists as Christina Aguilera, Natalie Cole, Selena Gomez, Celine Dion, the Pretenders, and others. In Confessions of a Serial Songwriter, she pulls the curtain back on the music business from the perspective of a behind-the-scenes hit creator and shares invaluable insight into the craft of songwriting.

The Washington Post hailed Roger Rosenblatt's Making Toast as "a textbook on what constitutes perfect writing," and People lauded Kayak Morning as "intimate, expansive and profoundly moving." Classic tales of love and grief, the New York Times bestselling memoirs are also original literary works that carve out new territory at the intersection of poetry and prose. Now comes The Boy Detective, a story of the author's childhood in New York City, suffused with the same mixture of acute observation and bracing humor, lyricism and wit. Resisting the deadening silence of his family home in the elegant yet stiflingly safe neighborhood of Gramercy Park, nine-year-old Roger imagines himself a private eye in pursuit of criminals. With the dreamlike mystery of the city before him, he sets off alone, out into the streets of Manhattan, thrilling to a life of unsolved cases. Six decades later, Rosenblatt finds himself again patrolling the territory of his youth: The writing class he teaches has just wrapped up, releasing him into the winter night and the very neighborhood in which he grew up. A grown man now, he investigates his own life and the life of the city as he walks, exploring the New York of the 1950s; the lives of the writers who walked these streets before him, such as Poe and Melville; the great detectives of fiction and the essence of detective work; and the monuments of his childhood, such as the New York Public Library, once the site of an immense reservoir that nourished the city with water before it nourished it with books, and the Empire State Building, which, in Rosenblatt's imagination, vibrates sympathetically with the oversize loneliness of King Kong: "If you must fall, fall from me." As he walks, he is returned to himself, the boy detective on the case. Just as Rosenblatt invented a world for himself as a child, he creates one on this night—the writer a detective still, the chief suspect in the case of his own life, a case that discloses the shared mysteries of all our lives. A masterly evocation of the city and a meditation on memory as an act of faith, The Boy Detective treads the line between a novel and a poem, displaying a world at once dangerous and beautiful.