There was once a little raccoon who wanted to go out in the night -- to know an owl, to see if the moon is a rabbit, and to find out how dark is the dark. But his mother said, "Wait. Wait till the moon is full." So the little raccoon waited and wondered, while the moon got bigger and bigger and bigger. Until at last, on a very special evening, the moon was full.

Twelve-year-old Molly and her ten-year-old brother, Michael, have never liked their seven-year-old stepsister, Heather. Ever since their parents got married, she's made Molly and Michael's life miserable. Now their parents have moved them all to the country to live in a house that used to be a church, with a cemetery in the backyard. If that's not bad enough, Heather starts talking to a ghost named Helen and warning Molly and Michael that Helen is coming for them. Molly feels certain Heather is in some kind of danger, but every time she tries to help, Heather twists things around to get her into trouble. It seems as if things can't get any worse. But they do—when Helen comes.

“Deb Olin Unferth’s stories are so smart, fast, full of heart, and distinctive in voice—each an intense little thought-system going out earnestly in search of strange new truths. What an important and exciting talent.”—George Saunders For more than ten years, Deb Olin Unferth has been publishing startlingly askew, wickedly comic, cutting-edge fiction in magazines such as Granta, Harper’s Magazine, McSweeney’s, NOON, and The Paris Review. Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction. Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems. An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.

_______________________ A SHORT STORY COLLECTION FROM THE AUTHOR OF WHAT TO LOOK FOR IN WINTER _______________________ 'The flaunt of the writing asks for admiration ... this is Candia McWilliam at her remarkable best' - Helen Dunmore, The Times 'McWilliam is a magically original writer, arranging words like sweets, making phrases sumptuously fortuitous' - Julie Myerson, Mail on Sunday _______________________ A woman sleeps rough on the step of a bank, eating soap to keep herself clean inside while the flowers on her blanket talk to each other; two children at a wake discover friendship over forbidden food; a husband and wife eat fish and chips in their car with the windscreen wipers on high speed just for the fun of it. Carrying the reader from the landscape of the author's native Scotland to the rivers and woodlands of England, these twenty-four stories are tales of unremarkable lives and loves, remarkably told. _______________________ 'For sheer writerly distinction this year, my palm goes to Candia McWilliam for her collection of short stories' - Joanna Trollope, Daily Telegraph Books of the Year

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.