While it rained on a Monday morning, Alpha Heller met his mate (Leah Paige). He had initially avoided her like a disease, not until the torture from his inner wolf got too much to handle every full moon. So Heller lured Leah (who was looking for a job at the time) to his house with the juicy offer of an employment as a housekeeper. And she accepted right off the bat. Oblivious to her, she was merely there to tame Alpha Heller's raging wolf (by, of course, having sex). Would Leah consent to this? Especially in light of the fact that Alpha already had someone else, Mira, who he felt he owed a debt that must be repaid by making Mira his Luna. Leah has a whole lot to contend with. Follow her rollercoaster journey in the interesting pages of this book.

On screen, Sophia Heart Valentine is the toast of Tinseltown. She’s the entire package, after all. She can sing, act, dance—you name it. But off screen, she’s dealing with personal drama that feels awfully like a movie. Her dad is marrying a woman that she absolutely abhors. Her best guy friend is ignoring her feelings for him. And her agent is forcing her to star in a movie with Axel Brooks, Hollywood’s Prince and all around annoying guy on set. Who wants to be Hollywood’s Princess when you could be drama queen, right? But then again, Hollywood’s Princess does have a nicer ring

Werewolf: The Apocalypse is about anger over the loss of what the shapeshifting Garou hold dearest: Gaia, the Earth itself. Corruption from without and within has caused the destruction not only of the Garou's environment, but also of their families, friends and culture, which extends in an unbroken line to the very dawn of life. No matter how righteously the Garou hold themselves, no matter how they prey on their destroyers, the corruption spreads. Now the time for reconciliation is past. This grave insult against Gaia can end in only one way: blood, betrayal... and rage. Details the werecrocodilians of the World of Darkness.

How is academia portrayed in children's literature? This Element ambitiously surveys fictional professors in texts marketed towards children. Professors are overwhelmingly white and male, tending to be elderly scientists who fall into three stereotypes: the vehicle to explain scientific facts, the baffled genius, and the evil madman. By the late twentieth century, the stereotype of the male, mad, muddlehead, called Professor SomethingDumb, is formed in humorous yet pejorative fashion. This Element provides a publishing history of the role of academics in children's literature, questioning the book culture which promotes the enforcement of stereotypes regarding intellectual expertise in children's media. The Element is also available, with additional material, as Open Access.

"Pharmako poeia: plant powers, poisons, and herbcraft focuses on familiar psychoactive plant-derived substances and related synthetics, ranging from the licit (tobacco, alcohol) to the illicit (cannabis, opium) and the exotic (absinthe, salvia divinorum, nitrous oxide)"--Provided by publisher.

NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.