Vyankatesh Madgulkar (1927–2001) was one of the pioneers of modernist short fiction (nav katha) as well as ‘rural’ (grameen) fiction in Marathi in the post-World War II era. He wrote eight novels, two hundred short stories, several plays, including some notable ‘folk plays’ (loknatya), screenplays and dialogues for more than eighty Marathi films. This book offers a comprehensive understanding of Vyankatesh Madgulkar’s work by analysing selections from his major creative fictions and nonfictions. This is augmented with important writings on him by his contemporaries, as well as critical writings, commentaries and reviews by present-day scholars. It situates Madgulkar in the context of Marathi literary tradition and Indian literature in general. Part of the Writer in Context series, this book will be useful for scholars and researchers of Indian literature, Marathi literature, English literature, comparative literature, postcolonial studies, cultural studies, global south studies and translation studies.

A young man takes a journey on a cart through jungles to reach the small hamlet of Bangarwadi, inhabited by a few shepherds, peasants and some members of a criminal tribe known as the Ramoshis. The young man goes there as a teacher. After the initial trauma, he finds the milieu and the environment very inspiring and educative. But then he is transferred to some other school. What remains with him is the memory of the simple folk and their pure nature.

In this "GREASED-LIGHTNING" crime debut (Kirkus Reviews), Simon Lewis has created two unforgettable characters and a critically acclaimed novel that will stay with you long after the final page is turned. Inspector Jian is a corrupt Chinese cop who thinks he’s seen it all. But his search for his missing daughter takes him to the meanest streets he’s ever faced—in rural England. Migrant worker Ding Ming is distressed—his gang master is making demands, he owes a lot of money to the snakeheads, and no one will tell him where his wife has been taken. Maybe England isn’t the Gold Mountain he was promised. Two desperate men, lost in a baffling foreign land, are pitted against a ruthless band of human traffickers in this breath-taking thriller.

The Encyclopaedic Dictionary Of Marathi Literature Has Been Developed With A Specific Planning To Include Not Only Men Of Letters But Also All Aspects Characterising The Growth Of Marathi Literature. It Also Presents A Clear Picture Of Development Of Marathi Literature From Early Period To The Present Day. The Contributions Of Many Poets, Writers, Playwriters, Essayist And Critics Are Given Along With Their Biographical Accounts Supported By Bibliography. It Has Successfully Converted A Long Journey Of Marathi Since Saint Dnyaneshwar To Today S New Little Magazine Movement .The Encyclopaedic Dictionary Serves The Purpose Of Research And Survey Of Marathi Literature Very Well, Bringing In Full Contributions Of Progressive Poets And Writers. It Is Bound To Be Gita For Researchers As Well As Every Common Marathi Individual As It Has Rich Reference Value.

The Forty Three Stories From Twenty One Languages Anthologised Here Reflect The Diversity And Complexity Of Life Lived In India. From The Violence And Mass Hysteria Of The Partition To The Supressed Rage And The Gnawing Self-Pity Of Individuals Trapped In Broken HomesýThese Stories Capture The Outer And The Inner Lives Of Indian Society. The Sacred And The Profane, The Elite And Subaltern Meet In Many-Layered Narratives In These Stories, Providing Us Metaphors To Visualize Ourselves. These Stories Map An Eventful Century During Which Our Country Emerged Into A Nation. The Images Gathered Here From The Haunted Interiors Of The Twentieth Century Are Both Disquieting And Illuminating.

This book is a critical history of Marathi cinema, from its formative years in the 1920s till the end of 1990s. It is the first work to explore the industrial and aesthetic dynamics of Marathi cinema, and elaborate on the idea of region as performance using the framework of critical socio-spatial analysis. Against the dominance of Hindi cinema, the Marathi film industry, as a regional film practice in India, has developed within a cultural and spatial liminality. This historical situation of the Marathi film industry is formulated here as the shaping and dispersal of a vernacular cultural space; and is traced over a period of seven decades, across genres like the saint-film, social melodramas, and the tamasha film, as well as in urban and mofussil sites of film circulation. The book aims to be a useful resource for students, researchers, and general readers, while attending to a lack of scholarly inquiries on this important regional film culture.