We are often asked to describe ourselves. In response, one might propose a few adjectives, or possibly even a brief account of how they became the person they are today. How we develop such self-understanding is a complicated matter involving various cognitive and social processes. Fanti Rovetta contributes to the comprehension of these processes by exploring the role of inner speech, or verbal thought, in self-understanding. Drawing from sociolinguistics, he proposes and applies a novel theoretical framework, a situated approach to inner speech, which emphasizes individual variation, and suggests that each person has a style of inner speaking. Such style of inner speaking constrains the linguistic hermeneutic resources a person can access in thinking about themselves and in making sense of their experiences. Additionally, he investigates the role of inner speech in narrative thinking and in verbal rumination, which are two key mental phenomena related to self-understanding. Throughout the book, the approach adopted is multidisciplinary, integrating philosophical discussion with recent developments in cognitive science, psychology, and linguistics.

Written by leading Indigenous and non-Indigenous scholars, Voicing Identity examines the issue of cultural appropriation in the contexts of researching, writing, and teaching about Indigenous peoples. This book grapples with the questions of who is qualified to engage in these activities and how this can be done appropriately and respectfully. The authors address these questions from their individual perspectives and experiences, often revealing their personal struggles and their ongoing attempts to resolve them. There is diversity in perspectives and approaches, but also a common goal: to conduct research and teach in respectful ways that enhance understanding of Indigenous histories, cultures, and rights, and promote reconciliation between Indigenous and non-Indigenous peoples. Bringing together contributors with diverse backgrounds and unique experiences, Voicing Identity will be of interest to students and scholars studying Indigenous issues as well as anyone seeking to engage in the work of making Canada a model for just relations between the original peoples and newcomers.

Examines racial and gendered dimensions of voice in American culture, showing how vocal sound helps to shape cultural power dynamics.

In the region known as Eastern and East-Central Europe, the framework provided by memory studies became highly valuable for understanding the overload of interpretations and conflicting perspectives on events during the twentieth century. The trauma of two world wars, the development of collective consciousness according to national and ethnic categories, stories of the trampled lands and lives of people, and resistance to the rule of authoritarian and totalitarian terrors—these trajectories left complex layers of identities to unfold. The following volume addresses the issue of identity as a pivot in studies of memory and literature. In this context, it addresses the question of cultural negotiation as it took shape between memory and literature, history and literature, and memory and history, with the help of contemporary authors and their works. The authors take the literature of countries such as Estonia, Poland, Serbia, Ukraine, and Russia as the point of departure, and explain its significance in terms of geographical, theoretical, and thematic perspectives.

Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-century music in both East Asian and Western music. The authors approach musical meaning in specific case studies against the background of general trends of cultural globalization and the construction/deconstruction of identity produced by human (and artificial) voices. The essays proceed from different angles, notably sociocultural and historical contexts, philosophical and literary aesthetics, vocal technique, analysis of vocal microstructures, text/phonetics-music-relationships, historical vocal sources or models for contemporary art and pop music, and areas of conflict between vocalization, "ethnicity," and cultural identity. They pinpoint crucial topical features that have shaped identity-discourses in art and popular musical situations since the1950s, with a special focus on the past two decades. The volume thus offers a unique compilation of texts on the human voice in a period of heightened cultural globalization by utilizing systematic methodological research and firsthand accounts on compositional practice by current Asian and Western authors.

Contemporary commentators have observed that postmodern America is less a melting pot than a buffet table. In American Identities people of diverse ethnic, religious, social, gender, and sexual backgrounds "refuse to merge but insist on a multiplicity of well-maintained identities," editors Robert Pack and Jay Parini explain. This sixth volume in the popular Bread Loaf Anthology series gathers more than three dozen voices who testify that there is no single American Experience, but instead a multiplicity of experiences. These poems, stories, and essays describe in occasionally stark, sometimes humorous, and often moving terms what it means to be black and American, or gay and American, or Latino and American, or Jewish and American within this society.

A history of the reception of Shakespeare on the English stage focusing on the vocal dimensions of theatrical performance.