This book spotlights individual expressions of atheist, agnostic, and secular humanist opinion—both public and private—to shed light on the phenomenon of religious disbelief throughout history and across cultures. Voices of Unbelief: Documents from Atheists and Agnostics is the first anthology to provide comprehensive, annotated readings on atheism and unbelief expressly for high school and college students. This diverse compilation brings together letters, essays, diary entries, book excerpts, blogs, monologues, and other writings by atheists and agnostics, both through the centuries and across continents and cultures. Unlike most other anthologies of atheist writings, the collection goes beyond public proclamations of well-known individuals to include the personal voices of unbelievers from many walks of life. While readers will certainly find excerpts from the published canon here, they will also discover personal documents that testify to the experience of living outside of the religious mainstream. The book presents each document in its historical context, enriched with an introduction, key questions, and activities that will help readers understand the past and navigate current controversies revolving around religious belief.

50 Voices of Disbelief: Why We Are Atheists presents a collection of original essays drawn from an international group of prominent voices in the fields of academia, science, literature, media and politics who offer carefully considered statements of why they are atheists. Features a truly international cast of contributors, ranging from public intellectuals such as Peter Singer, Susan Blackmore, and A.C. Grayling, novelists, such as Joe Haldeman, and heavyweight philosophers of religion, including Graham Oppy and Michael Tooley Contributions range from rigorous philosophical arguments to highly personal, even whimsical, accounts of how each of these notable thinkers have come to reject religion in their lives Likely to have broad appeal given the current public fascination with religious issues and the reception of such books as The God Delusion and The End of Faith

“How has unbelief come to dominate so many Western societies? The usual account invokes the advance of science and rational knowledge. Ryrie’s alternative, in which emotions are the driving force, offers new and interesting insights into our past and present.” —Charles Taylor, author of A Secular Age Why have societies that were once overwhelmingly Christian become so secular? We think we know the answer, pointing to science and reason as the twin culprits, but in this lively, startlingly original reconsideration, Alec Ryrie argues that people embraced unbelief much as they have always chosen their worldviews: through the heart more than the mind. Looking back to the crisis of the Reformation and beyond, he shows how, long before philosophers started to make the case for atheism, powerful cultural currents were challenging traditional faith. As Protestant radicals eroded time-honored certainties and ushered in an age of anger and anxiety, some defended their faith by redefining it in terms of ethics, setting in motion secularizing forces that soon became transformational. Unbelievers tells a powerful emotional history of doubt with potent lessons for our own angry and anxious times. “Well-researched and thought-provoking...Ryrie is definitely on to something right and important.” —Christianity Today “A beautifully crafted history of early doubt...Unbelievers covers much ground in a short space with deep erudition and considerable wit.” —The Spectator “Ryrie traces the root of religious skepticism to the anger, the anxiety, and the ‘desperate search for certainty’ that drove thinkers like...John Donne to grapple with church dogma.” —New Yorker

This volume presents to the general public the reflections of a group of social scientists and theologians who gathered in the spring of 1969 in Rome to explore “The Culture of Unbelief,” and who have subsequently continued their interest in the subject. The book departs in places from the actual order of events of the symposium to accommodate papers prepared explicitly for publication after the symposium was over.—from the Editors’ Preface This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971.

God's word illumines the darkness of society. Groen van Prinsterer's Unbelief and Revolution is a foundational work addressing the inherent tension between religion and modernity. As a historian and politician, Groen was intimately familiar with the growing divide between secular culture and the church in his time. Rather than embrace this division, these lectures, originally published in 1847, argue for a renewed interaction between the two spheres. Groen's work served as an inspiration for many contemporary theologians, and as a mentor to Abraham Kuyper, he had a profound impact on Kuyper's famous public theology. Harry Van Dyke, the original translator, reintroduces this vital contribution to our understanding of the relationship between religion and society.

Bayle, Jurieu and the Dictionnaire Historique et Critique presents a new study of Pierre Bayle's Dictionnaire Historique et Critique (1696), with special reference to Bayle's polemical engagement with the theologian Pierre Jurieu. While recent years have seen a surge of interest in Bayle, there is as yet no consensus on how to interpret Bayle's ambiguous stance on reason and religion, and how to make sense of the Dictionnaire: although specific parts of the Dictionnaire have received much scholarly attention, the work has hardly been studied as a whole, and little is known about how the Dictionnaire was influenced by Bayle's polemic with Jurieu. This volume aims to establish a new method for reading the Dictionnaire, under a dual premise: first, that the work can only be rightly understood when placed within the immediate context of its production in the 1690s; second, that it is only through an appreciation of the mechanics of the work as a whole, and of the role played by its structural and stylistic particularities, that we can attain an appropriate interpretation of its parts. Special attention is paid to the heated theological-political conflict between Bayle and Jurieu in the 1690s, which had a profound influence on the project of the dictionary and on several of its major themes, such as the tensions in the relationship between the intellectual sphere of the Republic of Letters and the political state, but also the danger of religious fanaticism spurring intolerance and war. The final chapters demonstrate that Bayle's clash with Jurieu was also one of the driving forces behind Bayle's reflection on the problem of evil; they expose the fundamentally problematic nature of both Bayle's theological association with Jurieu, and his self-defence in the second edition of the Dictionnaire.