This enlightening book offers a collection of histories of underground papers from the Vietnam Era as written and told by key staff members of the time. Their stories (as well as those to be included in Part 2, forthcoming) represent a wide range of publications: counterculture, gay, lesbian, feminist, Puerto Rican, Native American, Black, socialist, Southern consciousness, prisoner's rights, New Age, rank-and-file, military, and more. The edition includes forewords by former Chicago Seed editor Abe Peck, radical attorney William M. Kunstler, and Markos Moulitsas, founder of the Daily Kos, along with an introductory essay by Ken Wachsberger. Wachsberger notes that the underground press not only produce a few well-known papers but also was truly national and diverse in scope. His goal is to capture the essence of "the countercultural community." A fundamental resource for anyone seeking a deeper understanding of a dramatic era in U.S. history.

V. 1 includes article on Fag Rag by Charley Shively, p. 199-212 and articles on Off our backs.

Journalism: A Guide to the Reference Literature is a critically annotated bibliographic guide to print and electronic sources in print and broadcast journalism. The first edition was published in 1990; the second in 1997. It has been described as one of the critical reference sources in journalism today, and it is a key bibliographic guide to the literature. Choice magazine called it a benchmark publication for which there are no comparable sources. The format is similar to the second edition. What makes this edition significantly different is the separation of Commercial Databases and Internet Resources. Commercial Databases includes standard fee-based resources. The new chapter on Internet sources features Web-based resources not included in the commercial databases chapter as well as portals, other online files, listservs, newsgroups, and Web logs/blogs. All chapters have been revised, and there are significant revisions in Directories, Yearbooks, and Collections; Miscellaneous Sources; Core Periodicals; Societies and Associations; and Research Centers and Archives. The second edition has 789 entries. The third edition contains almost 1,000 entries. James Carey of Columbia University, who provided the foreword for the first two editions, has updated his foreword for this edition.

The early 1960s to the mid-1970s was one of the most turbulent periods in American history. The U.S. military was engaged in its longest, costliest overseas conflict, while the home front was torn apart by riots, protests, and social activism. In the midst of these upheavals, an underground and countercultural press emerged, giving activists an extraordinary forum for a range of imaginative expressions. Poetry held a prominent place in this alternative media. The poem was widely viewed by activists as an inherently anti-establishment form of free expression, and poets were often in the vanguards of political activism. Hearts and Minds is the first book-length study of the poems of the Black Liberation, Women's Liberation, and GI Resistance movements during the Vietnam era. Drawing on recent cultural and literary theories, Bibby investigates the significance of images, tropes, and symbols of human bodies in activist poetry. Many key political slogans of the period--"black is beautiful," "off our backs"--foreground the body. Bibby demonstrates that figurations of bodies marked important sites of social and political struggle. Although poetry played such an important role in Vietnam-era activism, literary criticism has largely ignored most of this literature. Bibby recuperates the cultural-historical importance of Vietnam-era activist poetry, highlighting both its relevant contexts and revealing how it engaged political and social struggles that continue to motivate contemporary history. Arguing for the need to read cultural history through these "underground" texts, Hearts and Minds offers new grounds for understanding the recent history of American poetry and the role poetry has played as a medium of imaginative political expression.

Dear Readers, From 1970-1974 George Harrison and others organized a series of Concerts for Bangladesh. These charity concerts raised millions for UNICEF's relief efforts to aid Bangladesh war victims. American Trilogy contains revealing biographies and original songs titles of the singers who performed at these concerts. This music inspired the foot soldiers of change to challenge the injustices of this world. Artists include JOAN BAEZ, JOHNNY CASH, BOB DYLAN, ELVIS PRESLEY, and BRUCE SPRINGSTEEN. American Trilogy is also about the counterculture. Some want to brand the 1960's as nothing more than race riots, drug abuse, and draft dodging, nonsense! The counterculture didn't destroy society it made it better. Some have dubbed the Baby Boomers as the "Irresponsible Generation". Well if fighting for civil rights, the environment, ending the immoral Vietnam War, and challenging a corrupt government qualifies as being irresponsible then we are guilty as charged! I hope you take the time to read American Trilogy. Sincerely, Jefferson Lang