Voices from the Mississippi Hill Country is a collection of interviews with residents of Benton County, Mississippi—an area with a long and fascinating civil rights history. The product of more than twenty-five years of work by the Hill Country Project, this volume examines a revolutionary period in American history through the voices of farmers, teachers, sharecroppers, and students. No other rural farming county in the American South has yet been afforded such a deep dive into its civil rights experiences and their legacies. These accumulated stories truly capture life before, during, and after the movement. The authors’ approach places the region’s history in context and reveals everyday struggles. African American residents of Benton County had been organizing since the 1930s. Citizens formed a local chapter of the NAACP in the 1940s and ’50s. One of the first Mississippi counties to get a federal registrar under the 1965 Voting Rights Act, Benton achieved the highest per capita total of African American registered voters in Mississippi. Locals produced a regular, clandestinely distributed newsletter, the Benton County Freedom Train. In addition to documenting this previously unrecorded history, personal narratives capture pivotal moments of individual lives and lend insight into the human cost and the long-term effects of social movements. Benton County residents explain the events that shaped their lives and ultimately, in their own humble way, helped shape the trajectory of America. Through these first-person stories and with dozens of captivating photos covering more than a century’s worth of history, the volume presents a vivid picture of a people and a region still striving for the prize of equality and justice.

Deep Inside the Blues collects thirty-four of Margo Cooper’s interviews with blues artists and is illustrated with over 160 of her photographs, many published here for the first time. For thirty years, Cooper has been documenting the lives of blues musicians, their families and homes, neighborhoods, festivals, and gigs. Her photographic work combines iconic late-career images of many legendary figures including Bo Diddley, Honeyboy Edwards, B. B. King, Pinetop Perkins, and Hubert Sumlin with youthful shots of Cedric Burnside, Shemekia Copeland, and Sharde Thomas, themselves now in their thirties and forties. During this time, the Burnside and Turner families and other Mississippi artists such as T-Model Ford, James “Super Chikan” Johnson, and L. C. Ulmer entered the national and international spotlight, ensuring the powerful connection between authentic Delta, Hill Country, and Piney Woods blues musicians and their audience continues. In 1993, Cooper began photographing in the clubs around New England, then in Chicago, and before long in Mississippi and Helena, Arkansas. On her very first trips to Mississippi in 1997 and 1998, Cooper had the good fortune to photograph Sam Carr, Frank Frost, Bobby Rush, and Otha Turner, among others. “The blues come out of the field,” Ulmer told Cooper. Seeing those fields, as well as the old juke joints, country churches, and people’s homes, inspired her. She began recording interviews with the musicians, sometimes over a period of years, listening and asking questions as their narratives unfolded. Many of the key blues players of the period have already passed, making their stories and Cooper’s photographs of them all the more poignant and valuable.

The photographic record of unprecedented musical discovery and the geniuses of Mississippi's Hill Country blues

Letters from Mississippi offers a riveting, personal and multi-faceted narrative of the dramatic events that took place during the summer of 1964, "Freedom Summer," when hundreds of people came to Mississippi to volunteer with the Mississippi Summer Voting Project. The book covers the disappearance and murder of James Cheney, Andrew Goodman, and Michael Schwerner, the Freedom Schools, the violence and tensions at voting registration centers, and the political struggles in the halls of power. The original publication of Letters from Mississippi in 1965 was an immediate record of the mostly white volunteers in the Mississippi Summer Voting Project of 1964 ("Freedom Summer"). It went out of print in 1970. Zephyr Press' 2002 edition took the original text and placed it in a context of the history of the civil rights movement, of the broader scene in Mississippi during that summer, and of the subsequent lives of the volunteers. That edition has become a staple in studies of the civil rights movement, but it still focuses mostly on the "outsiders" in their Mississippi communities. This fiftieth anniversary edition includes: expanded biographical notes from previous editions, additional biographies of contributors to the original book, expanded notes, a filmography, and 40 pages of poetry written in the Freedom Schools by Mississippi students in 1964. The result is a wider resource for scholarship as well as for a general understanding of this critical moment in civil rights history. Elizabeth Martínez (1925-2021), edited and wrote the preface for Letters from Mississippi. She published six books and numerous articles on popular struggles in the Americas including De Colores Means All of Us: Latina Views for a Multi-Colored Century. Julian Bond (1940-2015) wrote the introduction to the book. He served four terms on the NAACP National Board and was chairman from 1998 to 2010. He was president of the Atlanta NAACP from 1978 until 1989.

The Black people of Marks, Mississippi, and other rural southern towns were the backbone of the civil rights movement, yet their stories have too rarely been celebrated and are, for the most part, forgotten. Part memoir, part oral history, and part historical study, A Day I Ain’t Never Seen Before tells the story of the struggle for equality and dignity through the words of these largely unknown men and women and the civil rights workers who joined them. Deeply rooted in documentary and archival sources, this book also offers extensive suggestions for further readings on both Marks and the civil rights movement. Set carefully within its broader historical context, the narrative begins with the founding of the town and the oppressive conditions under which Black people lived and traces their persistent efforts to win the rights and justice they deserved. In their own words, Marks residents describe their lives before, during, and after the activist years of the civil rights movement, bolstered by the voices of those like Joe Bateman who arrived in the mid-1960s to help. Voter registration projects, white violence, sit-ins, arrests, school desegregation cases, community-organizing meetings, protest marches, Freedom Schools, door-to-door organizing—all of these played out in Marks. The broader civil rights movement intersects many of these local efforts, from Freedom Summer to the War on Poverty, from the death of a Marks man on the March against Fear (Martin Luther King Jr. preached at his funeral) to the Poor People’s Movement, whose Mule Train began in Marks. At each point Bateman and local activists detail how they understood what they were doing and how each protest action played out. The final chapters examine Marks in the aftermath of the movement, with residents reflecting on the changes (or lack thereof ) they have seen. Here are triumphs and beatings, courage and infighting, surveillance and—sometimes— lasting progress, in the words of those who lived it.

To reveal what some young blacks from the rural South are thinking, and what everyday life is like for them, George Mitchell interviewed six young blacks from Georgia's poverty-stricken Lower Chattahoochee Valley.

Almost All Aliens offers a unique reinterpretation of immigration in the history of the United States. Setting aside the European migrant-centered melting-pot model of immigrant assimilation, Paul Spickard, Francisco Beltrán, and Laura Hooton put forward a fresh and provocative reconceptualization that embraces the multicultural, racialized, and colonially inflected reality of immigration that has always existed in the United States. Their astute study illustrates the complex relationship between ethnic identity and race, slavery, and colonial expansion. Examining the lives of those who crossed the Atlantic, as well as those who crossed the Pacific, the Caribbean, and the North American Borderlands, Almost All Aliens provides a distinct, inclusive, and critical analysis of immigration, race, and identity in the United States from 1600 until the present. The second edition updates Almost All Aliens through the first two decades of the twenty-first century, recounting and analyzing the massive changes in immigration policy, the reception of immigrants, and immigrant experiences that whipsawed back and forth throughout the era. It includes a new final chapter that brings the story up to the present day. This book will appeal to students and researchers alike studying the history of immigration, race, and colonialism in the United States, as well as those interested in American identity, especially in the context of the early twenty-first century.