“Every time we raise our voices, we hear echoes.” Jo-Anne Elder, from the Foreword Through short stories, journal entries and poetry, the women in Voices and Echoes explore the changing landscape of their spiritual lives. Experienced writers such as Lorna Crozier, Di Brandt and Ann Copeland, as well as strong new voices, appear to speak to each other as they draw from a wealth of personal resources to find a way to face life’s questions and discover meaning in their lives. There is something familiar about these stories and poems — they echo those we’ve heard before and those we’ve half forgotten. Whether they search for a voice in a world where men monopolize or journey into painful memories to free the self from the past, they do not despair, they do not end. Individual entries become the whole story — an unending story of rebirth and reaffirmation. The book begins with an illuminating foreword that introduces readers to the cultural and philosophical background of many of the stories, and concludes with the reflections of scholars, writers and artists that are intended to provoke further discussion.

Mid-Columbia region history mirrors common American West multiracial narratives, but with important nuances. In "Echoes of Exclusion and Resistance," the third Hanford Histories volume, four scholars draw from oral histories to focus on the experiences of non-white groups such as the Wanapum, Chinese immigrants, World War II Japanese incarcerees, and African American migrant workers from the South, whose lives were deeply impacted by the Hanford Site. Linked in ways they likely could not know, each group resisted the segregation and discrimination they encountered, and in the process, challenged the region's dominant racial norms.

A study of literary Naturalism in Spain (1860-1890). This book explores the polemic surrounding the introduction of literary Naturalism in Spain (1860-1890), during which traditional Spanish institutions and traditional forms of authority were displaced by a variety of forces that competed for authoritative status. Of the philosophical, theological, aesthetic, political and social factors which thus came together in a unique confluence of discourses and voices, the author stresses particularly the politicalfactors and the intrusion of the female speaker in late nineteenth-century society. MARY LEE BRETZ is a Professor of Spanish at Rutgers State University, New Jersey.

Melissa Albert meets Twin Peaks in this supernatural thriller about one girl's hunt for the truth about her mother's disappearance. In 1973, the thirty-one residents of Bitter Rock disappeared. In 2003, so did my mother. Now, I've come to Bitter Rock to find out what happened to her—and to me. Because Bitter Rock has many ghosts. And I might be one of them. Sophia's earliest memory is of drowning. She remembers the darkness of the water and the briny taste as it filled her throat, the sensation of going under. She remembers hands pulling her back to safety, but that memory is impossible—she's never been to the ocean. But then Sophia gets a mysterious call about an island named Bitter Rock, and learns that she and her mother were there fifteen years ago--and her mother never returned. The hunt for answers lures her to Bitter Rock, but the more she uncovers, the clearer it is that her mother is just one in a chain of disappearances. People have been vanishing from Bitter Rock for decades, leaving only their ghostly echoes behind. Sophia is the only one who can break the cycle—or risk becoming nothing more than another echo haunting the island.

Echoes of Slavery: Voices from our Past is a collection of true stories, each chosen to illuminate a particular facet of Cape slavery in its mature form. The book concentrates on the final 30 years of slavery in order to place the least distance between Cape slaves and their modern descendants.

In How Invention Begins, Lienhard reconciles the ends of invention with the individual leaps upon which they are built, illuminating the vast web of individual inspirations that lie behind whole technologies. He traces, for instance, the way in which thousands of people applied their combined genius to airplanes, trains, and automobiles, revealing how a collective desire, an upwelling of fascination, a spirit of the times--a Zeitgeist--laid its hold upon inventors. The thing they all sought to create was speed itself. Can we speak of speed as an invention? To do so, he concludes, is certainly no greater a stretch than to call the car an "invention."

Can't believe she did that . . . . . . at four-thirty I have to . . . . . . I hate this place . . . Rae Voight is losing her mind. When she walks down the halls of Sanderson Prep, she hears voices . . . even when no one is talking. Other people's thoughts crowd her head, a confusing tangle of insecurities and dark secrets. Just when Rae reaches her breaking point, one voice comes screaming through the din, loud and clear: . . . Rae must die . . . If Rae doesn't figure out who the thought belongs to soon, she could lose more than just her sanity.