The ordinary life of a grad student was so boring for Ariane. She was desperate for some change, some excitement to shake things up. She had no idea she was only one step away from a whole new world--a world of darkness and decay, of eternal life and eternal death. But once she fell prey to Ricari she would learn more about this world than she ever dreamed possible. More than anyone should dare to know...if they value their soul.

Adulthood in the Navajo world is marked by the onset of menstruation in females and by the deepening of the voice in males. Accordingly, young adults must accept responsibility over the powers manifest in blood and voice: for women, the forces that control reproduction and growth; for men, the powers of protection and restoration of order that come through maintaining Navajo oral tradition. The maintenance of the latter tradition has long been held to be the function of the Navajo singer, a role usually viewed as male. But despite this longstanding assumption, women can and do fill this role. Drawing on interviews with seventeen Navajo women practitioners and five apprentices, Maureen Trudelle Schwarz explicates women's role as ceremonial practitioners and shows that it is more complex than has previously been thought. She examines gender differences dictated by the Navajo origin story, details how women came to be practitioners, and reveals their experiences and the strategies they use to negotiate being both woman and singer. Women who choose careers as singers face complex challenges, since some rules prohibit menstruating women from conducting ceremonies and others regarding sexual continence can strain marital relationships. Additionally, oral history places men in charge of all ceremonial matters. Schwarz focuses on how the reproductive life courses of Navajo women influence their apprenticeships and practices to demonstrate how they navigate these issues to preserve time-honored traditions. Through the words of actual practitioners, she shows how each woman brings her own unique life experience to the role. While differing among individuals, these experiences represent a commitment to shared cultural symbols and result in a consensus that sustains social cohesion. By showing the differences and similarities between the apprenticeship, initiation, and practice of men and women singers, Blood and Voice offers a better understanding of the role of Navajo women in a profession usually viewed as a male activity—and of the symbolic construction of the self in Navajo culture. It also addresses classic questions concerning the sexual division of labor, menstrual taboos, gender stereotypes, and the tension between tradition and change that will enlighten students of other cultures.

The BLOOD: The Other Voice in the Courts of Heaven...is book designed to become a Christian classic in the order of Andrew Murray's, "The Blood of the Cross." In this book, Apostle Roberson introduces us to a dimension of the blood that has not been taught and that few have experienced. Apostle Roberson brings back a weapon to the Body of Christ that has been forgotten and rarely spoken of, in years! In this book, Apostle Roberson has successfully reintroduced the power, holiness and the purity of the Blood of Christ, bringing a greater understanding of the power of the Blood to a generation that has never heard or used the Blood of Jesus as a weapon of war and personal sanctification in their daily lives!

Salvation is more than just being saved from sin. Salvation is being saved to the glory of God. We were created in the likeness and the image of God, and it is His desire for us to be crowned with His glory and honor. The Blood and the Glory reveals how the power of the Blood of Jesus and the glory of God fit together in God's plan of...

Still reeling from having lost her chance to become a vampire, sixteen-year-old Rayne learns that she is destined to be the new Vampire Slayer and must go undercover to stop a maniacal member of the undead who seeks vengeance and power by spreading a fatal blood disease.

An adoptee's search for identity takes her on a journey from Minnesota to Korea and back as she seeks to resolve the dualities that have long defined her life: Korean-born, American-raised, never fully belonging to either. For years, Korean adoptee Jane Jeong Trenka tried to be the ideal daughter. She was always polite, earned perfect grades, and excelled as a concert pianist. She went to church with her American family in small-town Minnesota and learned not to ask about the mother who had given her away. Then, while she was far from home on a music scholarship, living in a big city for the first time, one of her fellow university students began to follow her, his obsession ultimately escalating into a plot for her murder. In radiant prose that ranges seamlessly from pure lyricism to harrowing realism, Trenka recounts repeated close encounters with her stalker and the years of repressed questions that her ordeal awakened. Determined not to be defined by her stalker's twisted assessment of her worth, she struck out in search of her own identity - free of western stereotypes of geishas and good girls. Doing so, however, meant confronting her American family and fighting the bureaucracy at the agency that had arranged for her adoption. Jane Jeong Trenka dares to ask fundamental questions about the nature of family and identity. Are we who we decide to be, or who other people would make us? What is this bond more powerful than words, this unspoken language of blood? To find out, Trenka must reacquaint herself with her mother and sisters in Seoul and devise a way to blend two distinct cultures into one she seared into the memory by indelible images and unforgettable prose. This is a poetic tour-de-force by an essential new voice in Asian American literature.