In this darkly comedic road trip novel, seventeen year-old Vivian Apple returns home after the alleged Rapture to find her devout parents gone and two mysterious holes in the roof. Vivian never believed in the Rapture, or the uber powerful Church of America. Now that she has been left behind, Vivian's quest for the truth begins.

Putting the cult back in cult fiction, this is a darkly witty and sharply questioning debut A chilling vision of a contemporary USA where the sinister Church of America is destroying lives. Our cynical protagonist, sixteen-year-old Vivian Apple, is awaiting the fated 'Rapture' - or rather the lack of it. Her evangelical parents have been in the Church's thrall for too long, and she's looking forward to getting them back. Except that when Vivian arrives home the day after the supposed 'Rapture', her parents are gone. All that is left are two holes in the ceiling... Viv is determined to carry on as normal, but when she starts to suspect that her parents might still be alive, she realises she must uncover the truth. Joined by Peter, a boy claiming to know the real whereabouts of the Church, and Edie, a heavily pregnant Believer who has been 'left behind', they embark on a road trip across America. Encountering freak weather, roving 'Believer' gangs and a strange teenage group calling themselves the 'New Orphans', Viv soon begins to realise that the Rapture was just the beginning.

In this sequel to the compelling and thought-provoking novel Vivian Apple at the End of the World, Vivian and her best friend Harp fall in with a militant group who is trying to take down the Church of America as the world approaches the (supposed) apocalypse.

Every little girl goes through her princess phase, whether she wants to be Snow White or Cinderella, Belle or Ariel. But then we grow up. And life is not a fairy tale. Christine Heppermann's collection of fifty poems puts the ideals of fairy tales right beside the life of the modern teenage girl. With piercing truths reminiscent of Laurie Halse Anderson and Ellen Hopkins, this is a powerful and provocative book for every young woman. E. Lockhart, author of We Were Liars, calls it "a bloody poetic attack on the beauty myth that's caustic, funny, and heartbreaking." Cruelties come not just from wicked stepmothers, but also from ourselves. There are expectations, pressures, judgment, and criticism. Self-doubt and self-confidence. But there are also friends, and sisters, and a whole hell of a lot of power there for the taking. In fifty poems, Christine Heppermann confronts society head on. Using fairy tale characters and tropes, Poisoned Apples explores how girls are taught to think about themselves, their bodies, and their friends. The poems range from contemporary retellings to first-person accounts set within the original tales, and from deadly funny to deadly serious. Complemented throughout with black-and-white photographs from up-and-coming artists, this is a stunning and sophisticated book to be treasured, shared, and paged through again and again.

In the timeless tradition of "West Side Story" and "Crossing Delancey, " this thoroughly modern take on romance is sure to inspire laughter, tears, and the belief that love can happen when and where it's least expected.

A Newbery Honor–winning installment of the Cynthia Voigt’s classic Tillerman series. Jeff Greene was only seven when he came home from school to find a note from his mother. She felt that the world needed her more than her “grown up” son did. For someone who believed she could see the world’s problems so clearly, she was blind to the heartache and difficulties she pushed upon her son, leaving him with his reserved, undemonstrative father. So when, years later, she invites Jeff to spend summers with her in Charleston, Jeff is captivated by her free spirit and warmth, and a happiness he’s been missing fills him. But Jeff's second visit ends with a devastating betrayal and an aching feeling of loneliness. In life, there can be emotional pits so deep that seemingly nothing will grow—but if he digs a little deeper, Jeff might just come out on the other side.

Young Tabby Aykroyd has been brought to the dusty mansion of Seldom House to be nursemaid to a foundling boy. He is a savage little creature, but the Yorkshire moors harbor far worse, as Tabby soon discovers. Why do scores of dead maids and masters haunt Seldom House with a jealous devotion that extends beyond the grave? As Tabby struggles to escape the evil forces rising out of the land, she watches her young charge choose a different path. Long before he reaches the old farmhouse of Wuthering Heights, the boy who will become Heathcliff has doomed himself and any who try to befriend him.