This classic portfolio uses elevations, floor plans, and other line drawings by Scotland's first great classical architect to document the high Scottish style of the eighteenth century. It was assembled by William Adam (1689–1748), whose sons were the developers of the "Adam style," and published posthumously in 1812. The elder Adam designed, extended, and remodeled numerous country homes and undertook many public contracts. Vitruvius Scoticus's 160 plates include 100 of his own designs. Unlike the Vitruvius Britannicus books, this volume features plans for many smaller buildings that served as models for American builders and architects of the nineteenth century. Its engravings include images of such stately homes as Mavisbank House, Haddo House, and Fasque House; Hamilton Palace, one of the nation's grandest homes, and Holyrood Palace, the official residence of the monarch in Scotland; and a series of bridges at Inveraray in the county of Argyll. Never before available in an affordable edition, this volume is an essential reference for architectural historians and students. It includes an Introduction and Notes to the Plates by James Simpson.

As the first comprehensive encyclopedic survey of Western architectural theory from Vitruvius to the present, this book is an essential resource for architects, students, teachers, historians, and theorists. Using only original sources, Kruft has undertaken the monumental task of researching, organizing, and analyzing the significant statements put forth by architectural theorists over the last two thousand years. The result is a text that is authoritative and complete, easy to read without being reductive.

This architectural survey covers one of Scotland's most important periods of political and architectural change when mainstream European classicism became embedded as the cultural norm. Interposed between the decline of 'the Scottish castle' and its revival as Scotch Baronial architecture, the contributors consider both private and public/civic architecture. They showcase the architectural reflections of a Scotland finding its new elites by providing new research, analysing paradigms such as Holyrood and Hamilton Palace, as well as external reference points such as Paris tenements, Roman precedents and English parallels. Typologically, the book is broad in scope, covering the architecture and design of country estate and also the urban scene in the era before Edinburgh New Town. Steps decisively away from the 'Scottish castle' genre of architectureContextualises the work of Scotland's first well-documented grouping of major architects - including Sir William Bruce, Mr James Smith, James Gibbs and the Adam dynastyDocuments the architectural developments of a transformational period in Scottish history Beautifully illustrated throughout with 300 colour illustrations a

At last - here is a single volume authoritative history of Scottish architecture. This compact yet comprehensive account combines factual description of the vast and fertile range of visual forms and key architects in each period with a wide-ranging analysis of their social, ideological and historical context. As Scotland has often been closely involved with new trends in western architecture, this book highlights the interaction of Scottish developments with broader European and international movements. From the beginnings of the Renaissance in the 15th century right up to the 1990s ,this much-needed survey covers the entire post-medieval story in one volume.

This new illustrated paperback edition examines the Scottish country house in all its guises - from great classical houses like Hopetoun, to familiar castles such as Glamis and Craigievar - as well as giving insights into the architects who designed them, including William and Robert Adam, Sir John James Burnet and Sir William Bruce.