Visualizing the Tragic
Title | Visualizing the Tragic PDF eBook |
Author | Chris Kraus |
Publisher | Oxford University Press, USA |
Pages | 488 |
Release | 2007-06-07 |
Genre | Art |
ISBN |
A collection of essays that brings new insight to the question of the continuing, and inexhaustible, fascination of Athenian tragedy of the fifth century BCE. There is particular reference to the visual - the myriad ways in which tragic texts are (re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description.
Visualizing the invisible with the human body
Title | Visualizing the invisible with the human body PDF eBook |
Author | J. Cale Johnson |
Publisher | Walter de Gruyter GmbH & Co KG |
Pages | 486 |
Release | 2019-11-05 |
Genre | History |
ISBN | 3110642689 |
Physiognomy and ekphrasis are two of the most important modes of description in antiquity and represent the necessary precursors of scientific description. The primary way of divining the characteristics and fate of an individual, whether inborn or acquired, was to observe the patient’s external characteristics and behaviour. This volume focuses initially on two types of descriptive literature in Mesopotamia: physiognomic omens and what we might call ekphrastic description. These modalities are traced through ancient India, Ugaritic and the Hebrew Bible, before arriving at the physiognomic features of famous historical figures such as Themistocles, Socrates or Augustus in the Graeco-Roman world, where physiognomic discussions become intertwined with typological analyses of human characters. The Arabic compendial culture absorbed and remade these different physiognomic and ekphrastic traditions, incorporating both Mesopotamian links between physiognomy and medicine and the interest in characterological ‘types’ that had emerged in the Hellenistic period. This volume offer the first wide-ranging picture of these modalities of description in antiquity.
Title | PDF eBook |
Author | |
Publisher | Skenè. Texts and Studies |
Pages | |
Release | |
Genre | |
ISBN |
Tragic Bodies
Title | Tragic Bodies PDF eBook |
Author | Nancy Worman |
Publisher | Bloomsbury Publishing |
Pages | 305 |
Release | 2020-12-10 |
Genre | Drama |
ISBN | 1350124389 |
Winner of the PROSE Award (2022) for Classics This book argues for a new way of reading tragedy that attends to how bodies in the ancient plays pivot between subject and object, person and thing, living and dead, and so serve as vehicles for confronting the edges of the human. At the same time, it explores the ways in which Greek tragedy pulls up close to human bodies, examining their physical edges, their surfaces and parts, their coverings or nakedness, and their postures and orientations. Drawing on and advancing the latest interplays of posthumanism and materialism in relation to classical literature, Nancy Worman shows how this tragic enactment may seem to emphasize the human body, but in effect does something quite different. Greek drama instead often treats the body as a thing that has the status and implications associated with other objects, such as a cloak, an urn, or a toy for a dog. Tragic Bodies urges attention to key scenes in Greek tragedy that foreground bodily identifiers as semiotic materializing. This occurs when signs with weighty symbolic resonance distil out on the dramatic stage as concrete sites for contention and conflation orchestrated through proximity, contact, and sensory dynamics. Reading the dramatic script in this way pursues the felt knowledge at the body's edges that tragic representation affords, a consideration attuned to how bodies register at tragedy's unique intersections – where directive and figurative language combine to highlight visual, tactile, and aural details.
Theater of the People
Title | Theater of the People PDF eBook |
Author | David Kawalko Roselli |
Publisher | University of Texas Press |
Pages | 303 |
Release | 2011-06-01 |
Genre | Performing Arts |
ISBN | 0292744773 |
Greek drama has been subject to ongoing textual and historical interpretation, but surprisingly little scholarship has examined the people who composed the theater audiences in Athens. Typically, scholars have presupposed an audience of Athenian male citizens viewing dramas created exclusively for themselves—a model that reduces theater to little more than a medium for propaganda. Women's theater attendance remains controversial, and little attention has been paid to the social class and ethnicity of the spectators. Whose theater was it? Producing the first book-length work on the subject, David Kawalko Roselli draws on archaeological and epigraphic evidence, economic and social history, performance studies, and ancient stories about the theater to offer a wide-ranging study that addresses the contested authority of audiences and their historical constitution. Space, money, the rise of the theater industry, and broader social forces emerge as key factors in this analysis. In repopulating audiences with foreigners, slaves, women, and the poor, this book challenges the basis of orthodox interpretations of Greek drama and places the politically and socially marginal at the heart of the theater. Featuring an analysis of the audiences of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, Theater of the People brings to life perhaps the most powerful influence on the most prominent dramatic poets of their day.
Homer: Iliad Book VI
Title | Homer: Iliad Book VI PDF eBook |
Author | Homer |
Publisher | Cambridge University Press |
Pages | 289 |
Release | 2010-11-04 |
Genre | History |
ISBN | 0521878845 |
The first commentary in English entirely devoted to the Iliad Book 6, illuminating some of the best-loved episodes in the whole poem.
Συναγωνίζεσθαι: Studies in Honour of Guido Avezzù. Vol. 1.2
Title | Συναγωνίζεσθαι: Studies in Honour of Guido Avezzù. Vol. 1.2 PDF eBook |
Author | Silvia Bigliazzi |
Publisher | Skenè. Texts and Studies |
Pages | 465 |
Release | 2018-12-20 |
Genre | Language Arts & Disciplines |
ISBN |
Συναγωνίζεσθαι, the ancient Greek verb chosen as the title of this volume, belongs to the jargon of dramaturgy as employed by Aristotle inPoetics, where he emphasizes the function of the Chorus as an active co-protagonist in the dynamics of drama. Here it suggests the collaborative nature of this Festschrift offered to Guido Avezzù in the year of his retirement by friends and colleagues. The volume collects a wide selection of contributions by international scholars, grouped into four sections: Greek Tragedy (Part 1), Greek Comedy (Part 2), Reception (Part 3), and Theatre and Beyond (Part 4). The Authors. A. Andrisano, P. Angeli Bernardini, A. Bagordo, A. Bierl, S. Bigliazzi, M.G. Bonanno, S. Brunetti, D. Cairns, G. Cerri, V. Citti, A.T. Cozzoli, F. Dall’Olio, M. Di Marco, M. Duranti, S. Fornaro, A. Grilli, S. Halliwell, E.M. Harris, O. Imperio, P. Judet de La Combe, W. Lapini, V. Liapis, L. Lomiento, F. Lupi, A. Markantonatos, G. Mastromarco, E. Medda, F. Montana, F. Montanari, C. Neri, E. Nicholson, R. Nicolai, H. Notsu, G. Paduano, N. Pasqualicchio, M.P. Pattoni, A. Provenza, J. Redondo, A. Scafuro, S.L. Schein, A. Sidiropoulou, R. Tosi, P. Totaro, M. Treu, M. Tulli, G. Ugolini, P. Volpe, M. Zanolla