This book constitutes the refereed proceedings of the 4th International Workshop on Visual Form, IWVF-4, held in Capri, Italy, in May 2001. The 66 revised full papers presented together with seven invited papers were carefully reviewed and selected from 117 submissions. The book covers theoretical and applicative aspects of visual form processing. The papers are organized in topical sections on representation, analysis, recognition, modelling and retrieval, and applications.

Integrating text and pictures, this edition also includes colour diagrams and examples of work done by students.

This volume offers a multifaceted investigation of intersections among visual and memorial forms in modern art, politics, and society. The question of the relationships among images and memory is particularly relevant to contemporary society, at a time when visually-based technologies are increasingly employed in both grand and modest efforts to preserve the past amid rapid social change. The chapters in Rhetoric, Remembrance, and Visual Form provide valuable insights concerning not only how memories may be seen (or sighted) in visual form but also how visual forms constitute noteworthy material sites of memory. The collection addresses this central theme with a wealth of interdisciplinary and international approaches, featuring conventional scholarly as well as artistic works from such disciplines as rhetoric and communication, art and art history, architecture, landscape studies, and more, by contributors from around the globe.

Published in the year 1982, Visual Form Detection in Three-dimensional Space is a valuable contribution to the field of Cognitive Psychology.

This volume contains papers presented at the Third International Workshop on Visual Form. It covers the most important topics of current interest in the field, presenting an updated collection of results achieved by leading academic and industrial research groups from several countries. The book contains invited lectures and research papers dealing with theoretical and applicative aspects of shape perception, representation, decomposition, description and recognition, as well as related topics.

This book contains the papers presented at the International Workshop on Visual Fonn, held in Capri (Italy) on May 27-30, 1991. The workshop, sponsored by the International Association for Pattern Recognition (!APR), has been jointly organized by the Dipartimento di Infonnatica e Sisternistica of the University of Naples and the Istituto di Cibemetica of the National Research Council of Italy, and has focussed on Shape. Shape is a distinctive feature of most patterns, so that recognition can often be attained through shape discrimination. The organizers of the workshop shared the general feeling manifested by researchers, that it was time for holding a meeting exclusively devoted to a feature so crucial for both human and machine perception. During this meeting, problems and prospects in the field of 2D and 3D shape analysis could be discussed extensively, so as to provide an effective, updated picture of the current research activity in which shape plays a central role. Indeed, many highly qualified researchers in the field positively reacted to the Call for Papers.

In drawing attention to the fundamental elements of form inherent in all graphic and sculptural art, Van James opens our eyes to the alphabet of the language of form. Through the simplest of indications, we find ourselves able to read the meaning of works of art from other cultures and times. We begin to know these cultures and peoples in ways we could not know through oral and written language alone. Likewise, we can begin to read the language that Mother Nature speaks through the form of every created object and being. We can join those on the cutting edge of a new science that investigates the spiritual forces at work within physical phenomena through exact perception of qualities of form. For everyone who is fascinated by nature, art, and life in different cultures.