This edited collection, including contributors from the disciplines of art history, film studies, cultural geography and cultural anthropology, explores ways in which islands in the north of England and Scotland have provided space for a variety of visual-cultural practices and forms of creative expression which have informed our understanding of the world. Simultaneously, the chapters reflect upon the importance of these islands as a space in which, and with which, to contemplate the pressures and the possibilities within contemporary society. This book makes a timely and original contribution to the developing field of island studies, and will be of interest to scholars studying issues of place, community and the peripheries.

The Routledge Companion to Rural Planning provides a critical account and state of the art review of rural planning in the early years of the twenty-first century. Looking across different international experiences – from Europe, North America and Australasia to the transition and emerging economies, including BRIC and former communist states – it aims to develop new conceptual propositions and theoretical insights, supported by detailed case studies and reviews of available data. The Companion gives coverage to emerging topics in the field and seeks to position rural planning in the broader context of global challenges: climate change, the loss of biodiversity, food and energy security, and low carbon futures. It also looks at old, established questions in new ways: at social and spatial justice, place shaping, economic development, and environmental and landscape management. Planning in the twenty-first century must grapple not only with the challenges presented by cities and urban concentration, but also grasp the opportunities – and understand the risks – arising from rural change and restructuring. Rural areas are diverse and dynamic. This Companion attempts to capture and analyse at least some of this diversity, fostering a dialogue on likely and possible rural futures between a global community of rural planning researchers. Primarily intended for scholars and graduate students across a range of disciplines, such as planning, rural geography, rural sociology, agricultural studies, development studies, environmental studies and countryside management, this book will prove to be an invaluable and up-to-date resource.

Uncovering a wealth of archival information, Eavan O'Dochartaigh gives fresh and surprising insight into the Victorian image of the Arctic.

Through case studies, this book investigates the pictorial imaging of epidemics globally, especially from the late eighteenth century through the 1920s when, amidst expanding Western industrialism, colonialism, and scientific research, the world endured a succession of pandemics in tandem with the rise of popular visual culture and new media. Images discussed range from the depiction of people and places to the invisible realms of pathogens and emotions, while topics include the messaging of disease prevention and containment in public health initiatives, the motivations of governments to ensure control, the criticism of authority in graphic satire, and the private experience of illness in the domestic realm. Essays explore biomedical conditions as well as the recurrent constructed social narratives of bias, blame, and othering regarding race, gender, and class that are frequently highlighted in visual representations. This volume offers a pictured genealogy of pandemic experience that has continuing resonance. The book will be of interest to scholars working in art history, visual studies, history of medicine, and medical humanities.

The handbook presents a compendium of the diverse and growing approaches to place from leading authors as well as less widely known scholars, providing a comprehensive yet cutting-edge overview of theories, concepts and creative engagements with place that resonate with contemporary concerns and debates. The volume moves away from purely western-based conceptions and discussions about place to include perspectives from across the world. It includes an introductory chapter, which outlines key definitions, draws out influential historical and contemporary approaches to the theorisation of place and sketches out the structure of the book, explaining the logic of the seven clearly themed sections. Each section begins with a short introductory essay that provides identifying key ideas and contextualises the essays that follow. The original and distinctive contributions from both new and leading authorities from across the discipline provide a wide, rich and comprehensive collection that chimes with current critical thinking in geography. The book captures the dynamism and multiplicity of current geographical thinking about place by including both state-of-the-art, in-depth, critical overviews of theoretical approaches to place and new explorations and cases that chart a framework for future research. It charts the multiple ways in which place might be conceived, situated and practised. This unique, comprehensive and rich collection will be an essential resource for undergraduate and graduate teaching, for experienced academics across a wide range of disciplines and for policymakers and place-marketers. It will provide an invaluable and up-to-date guide to current thinking across the range of disciplines, such as Geography, Sociology and Politics, and interdisciplinary fields such as Urban Studies, Environmental Studies and Planning.

The Celtic, Pictish, Anglo-Saxon and Viking peoples who inhabited the British Isles and Ireland from late prehistory to the Norman Conquest left a rich visual heritage whose influence continues to be felt. This is the first book to present an illustrated overview of the early art of the British and Irish archipelago during one of the most formative periods in its history. It explores the interaction between its inhabitants, along with the formation of national and regional identities, through the lens of visual culture.Leading expert Michelle P. Brown explains the historical context within which key artworks of the period were made and used, ranging across works as diverse as the Book of Kells, the Tara Brooch, the Aberlemno Stones, the Lindisfarne Gospels, the Alfred Jewel and the Benedictional of St Ethelwold, and examines the ways in which their complex imagery can be interpreted. She also considers the impact of the art of this period upon the history of art in general, helping to inform both the Carolingian renaissance, the Romanesque and, from the late nineteenth century, the Arts and Crafts and Art Nouveau movements. Fusing history, art history, archaeology and literary studies, and fully illustrated throughout, this is a ground-breaking guide to a fascinating and complex period in which northern Europe journeyed from late Antiquity into the Middle Ages.

Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.