Why should we go to space? To learn more about the universe and our place in it? To extract resources and conduct commerce? To demonstrate national primacy and technological prowess? To live and thrive in radically different kinds of human communities? Visions, Ventures, Escape Velocities takes on the challenge of imagining new stories at the intersection of public and private--narratives that use the economic and social history of exploration, as well as current technical and scientific research, to inform scenarios for the future of the "new space" era. Visions, Ventures, Escape Velocities provides fresh insights into human activity in Low Earth Orbit, journeys to Mars, capturing and mining asteroids, and exploring strange and uncharted exoplanets. Its stories and essays imagine human expansion into space as a kind of domestication--not in the sense of taming nature but in the sense of creating a space for dwelling, a venue for human life and curiosity to unfurl in all their weirdness and complexity.

A collection of short stories by writers from around the world, exploring the climate crisis and how human responses to it will shape the futures we will inhabit. Featuring stories in styles ranging from science fiction and fabulism to literary fiction, weird fiction, and action-thriller, all drawn from the 2020 Everything Change Climate Fiction Contest. The contest and anthology are presented by the Imagination and Climate Futures Initiative at Arizona State University, a partnership of the Center for Science and the Imagination and the Virginia G. Piper Center for Creative Writing.

A collection of science fiction stories, art, and essays exploring how the transition to solar energy will transform cities; catalyze revolutions in politics, governance, and culture; and create diverse futures for human communities. Cities of Light emphasizes that the design of solar energy matters in shaping the future of urban communities and explores how each city's geographic and social features, along with the arc of its particular local history, create unique challenges and opportunities as we work collectively to design more equitable energy futures. The collection features stories by award-winning science fiction authors, working in collaboration with visual artists and graphic designers, and experts from Arizona State University and the U.S. National Renewable Energy Laboratory in fields ranging from engineering and data science to sociology, public policy, and architecture.

“Readthis book to learn how to create a company as powerful as Apple.”—Guy Kawasaki,former chief evangelist of Apple InEscape Velocity Geoffrey A. Moore, author of the marketing masterwork Crossingthe Chasm, teaches twenty-first century enterprises how to overcome thepull of the past and reorient their organizations to meet a new era ofcompetition. The world’s leading high-tech business strategist, Moore connectsthe dots between bold strategies and effective execution, with an action planthat elucidates the link between senior executives and every other branch of acompany. For readers of Larry Bossidy’s Execution,Clay Christensen’s Innovator’s Solution, and Gary Vaynerchuck’sCrush It!, and for anyone aiming for the pinnacle of business success, EscapeVelocity is an irreplaceable roadmap to the top.

This book brings together science fiction, history, visual art, and exploration to reframe the relationship among climate, crisis, and creation. A Year Without a Winter presents stories by four renowned science fiction authors alongside critical essays, extracts from Mary Shelley's Frankenstein, and dispatches from extreme geographies.

Two hundred years after its publication, Mary Shelley's Frankenstein continues to speak to modern concerns about science, technology, and society. The story of Victor Frankenstein and his creature has become a cultural touchstone through myriad theatrical renditions, movies, and other adaptations and allusions. But Shelley's original tale is far richer and more relevant to contemporary issues than the common interpretation of Frankenstein as a warning against scientific hubris. The authors of the essays in The Rightful Place of Science: Frankenstein examine the roots and origins of Shelley's tragically flawed scientist and his benighted creature. They consider Frankenstein as a parable of creativity and responsibility that can help us better understand our current creative dilemmas. And they show how Shelley's text foreshadows future technological innovations, and the challenges we anticipate from emerging fields such as synthetic biology and artificial intelligence. The bicentennial of this story of a scientist who failed to care for his creation provides an opportunity to explore creativity and responsibility across literary, scientific, social, and cultural dimensions.

"Space, to use a worn metaphor, is in the mind of the beholder. When we contemplate the seemingly limitless universe, we tend to project onto space our own hopes and dreams (as well as our fears and anxieties). But like responses to Rorschach inkblots, there are many different hopes, dreams, fears, and anxieties that one can project onto the night's sky. To those who approach it with a thirst for profits, space appears as a resource-rich goldmine, beckoning to anyone with enough wealth and privilege to take advantage of untapped markets. To those who approach it with a yearning for human expansion, space appears as a frontier that is humanity's birthright to conquer, its new manifest destiny. To those who approach it with a passion for knowledge and understanding, space appears as a tantalizing and pristine laboratory for scientific exploration. In these ways, our visions for humanity's future in space--what planets and moons we hope to visit, what we hope to accomplish when we get there--are more products of our perspectives about space (and our underlying worldviews and value systems) than anything else"--