Published to accompany an exhibition which moved from the Deutsche Guggenheim Berlin to the Guggenheim Museum, New York, in February 1998, this is a study of a series of paintings and drawings of Paris between 1909 and 1914 which established Robert Delaunay as a major artist.

Illustrations created in France to celebrate the turn of the century, show scenes depicting the future of air travel, helicopters, undersea colonies, agriculture and the radio

Presents the history of paleoart from 1830-1990. These are not cave paintings produced thousands of years ago, but modern visions of prehistory: stunning paintings, prints, drawings, sculptures, mosaics, and murals that mingle scientific fact with unbridled fantasy

Fathers, Pastors and Kings is a first-class research monograph on an important issue in the history of the Catholic Church, exploring the conceptions of episcopacy that shaped the identity of the bishops of France in the wake of the reforming Council of T.

“A rich and entertaining history of the French capital’s predominant myths and ‘image-making’ from the nineteenth century to the present.” —Roxanne Panchasi, H-France Review How did Paris become the world favorite it is today? Charles Rearick argues that we can best understand Paris as several cities in one, each with its own history and its own imaginary shaped by dream and memory. Paris has long been at once a cosmopolitan City of Light and of modernity, a patchwork of time-resistant villages, a treasured heirloom, a hell for the disinherited, and a legendary pleasure dome. Focusing on the last century and a half, Paris Dreams, Paris Memories makes contemporary Paris understandable. It tells of renewal projects radically transforming neighborhoods and of counter-measures taken to perpetuate the city’s historic character and soul. It provides a historically grounded look at the troubled suburbs. Further, it tests long-standing characterizations of Paris’s uniqueness through comparisons with such rivals as London and Berlin. Paris Dreams, Paris Memories shows that in myriad forms—buildings, monuments, festivities, and artistic portrayals—contemporary Paris gives new life to visions of the city long etched in Parisian imaginations. “A pleasure to read.” —Catherine Clark, H-Urban “Fascinating.” —Nicoleta Bazgan, Contemporary French Civilization “Rearick is an expert guide.” —Jeffrey H. Jackson, Rhodes College “Like a pleasant stroll through the city, one finds much that one has already seen, but also plenty that one has not.” —Stephen Sawyer, French History “Rearick has written not so much a history of Paris, but a history of the history of Paris.” —William Irvine, York University

A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism. Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of Art Exhibition Schedule: Nelson-Atkins Museum of Art (10/19/13-02/09/14) Saint Louis Art Museum (03/16/14-07/06/14)