Satty began work on a series of San Francisco collages in 1975. From reading historical accounts of the early city, he realized that most of the existing pictorial record, photos and paintings didn't match the colorful literary descriptions of that chaotic era. He decided to graphically re-create the era, to evoke the visual and emotional experiences of the early city in combination with relevant eyewitness accounts. He researched the writings of early immigrants, later residents, and many other writers who visited the famous spectacle of the developing city. Satty created collages until his death in early 1982. As an interested historian, and a friend for ten years, Walter Medeiros had often been closely involved with him, and especially during the last year of his life. Satty discussed the project with him and took pleasure in showing him work in progress. Satty's will left the project to Medeiros.

“To read On the Road but not Visions of Cody is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac’s wildest writings.”—The New York Times Book Review “The centerpiece of all [Kerouac’s] novels.”—The Washington Post Originally written in 1951–1952, Visions of Cody was an underground classic by the time it was finally published in 1972, three years after Kerouac’s death. Utilizing a radical, experimental form (“the New Journalism fifteen years early,” as Dennis McNally noted in Desolate Angel), Kerouac examines his own New York life in a collection of colorful stream-of-consciousness essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work. Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.

An experimental novel which remained unpublished for years, Visions of Cody is Kerouac's fascinating examination of his own New York life, in a collection of colourful stream-of-consciousness essays. Transcribing taped conversations between members of their group as they took drugs and drank, this book reveals an intimate portrait of people caught up in destructive relationships with substances, and one another. Always fixated by Neal Cassady - the Cody of the title, renamed for the book along with Allen Ginsberg and William Burroughs - Kerouac also explores the feelings he had for a man who would inspire much of his work.

Roger Williams stumbles through adolescence with the aid of a few friends and his love for the automobile. At the end of college he hits the road to the West Coast in a rolled and tucked, convertible Pontiac, along route 66, over the Sierras to Berkeley for graduate school in 1963. At Berkeley he meets Ginny Wyant a Phi Beta Kappa from Boston University. In the explosive environment of Berkeley in the 60s Roger and Ginny fall in love and move in together. In revolutionary times Roger and Ginny decide to drop out and join the gypsy life. Roger becomes a shade-tree mechanic for artists, musicians, and drug dealers. The parties, the concerts, the riots, the drugs, and the attempts to create a sustainable life outside the mad house of the Vietnam War culture that Roger and Ginny participate in are legendary. After a few years Ginny decides to return to school and complete her PhD in psychology. In 1970 Roger and Ginny have a daughter. The family sustains them through the brutal 70s. By the end of the seventies the war is over, the movement for social change is dead, and the move the to the political right begins. Roger and Ginny move into the next revolution in Silicon Valley. Ginny, who has gotten her degree, gets a job at a psychiatric ward. Roger and Ginny change gender roles. Roger becomes the President of the Mother's Club, rebuilds the house they have been able to buy, and has time to sum up the utopian 60s.

To know not what to expect is freedom. The reviews speak and offer insight " Visions shoots for a pithy insightfulness but unfortunately, most of it ends up on the seat and the floor " -moans Ronald Dribbler of The Golden Advisor " a raccoon with Down's Syndrome would be able to create a more insightful and coherent piece of work while clawing randomly at a computer keyboard " -raves Rob Durden of the Sarasota Insider " Lasting Visions rivals his last wasted effort in futility " -Anonymous

After narrowly surviving two harrowing tragedies, Jules now fully understands the importance of the visions that she and people around her are experiencing, and that it is on Jules and Sawyer and their friends to once again prevent disaster.