This book looks at how to define persons and selves and the ways in which different disciplines have dealt with this topic.

An Introduction to Cyberpsychology provides a comprehensive introduction to this rapidly growing discipline. Fully updated in its second edition, the book encourages students to critically evaluate the psychology of online interactions and to develop appropriate research methodologies to complete their own work in this field. The book examines cyberpsychology and online research methodologies, social psychology in an online context, practical applications of cyberpsychology, and the psychological aspects of other technologies. This new edition has been carefully updated to include additional coverage of: Expanded content relating to major developments in the field and new content on gaming and screentime A new chapter examining the relationship between older adults and technology Cyberpsychology in focus feature boxes in each chapter that examine topics in depth Interviews with professionals working in fields relating to cyberpsychology Each chapter includes key terms and a glossary, content summaries, discussion questions, and recommended reading to guide further study. Supported by extensive online resources for students and instructors, this authoritative book is an essential core text for undergraduate modules in cyberpsychology, and an ideal primer for students of postgraduate programs in cyberpsychology. To view the additional student and instructor resources for this book, please visit bpscoretextbooks.routledge.com

The new radically social habit of tracking our behaviours and preferences is booming. From Facebook timelines to Google Navigator to Twitter, we generate enormous amounts of online data about our activities: where we go, what we do, how we feel. In The Virtual Self, journalist Nora Young examines this growing phenomenon of self-tracking - why it's compulsive, its attractions and benefits, the dangers surrounding privacy and information control, and moreover, what it means for our sense of self. Fascinating and entertaining, and offering unique insights into our emerging technological culture, The Virtual Self takes the personal, psychological reality of everything from smart phones to social networking and teases out the increasing impact of the virtual information we all produce on the real world around us.

American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.

As the second volume of a two-volume set on new media users in China, this book approaches the subject from a micro level. examining the mediatized existence and life of new media users in the digital age and the approaching age of artificial intelligence. To further explore the interaction between people and new media, this volume focuses on the idea of the "mediatized survival" of new media users. By analyzing user behaviour and practice in mediatized time and space, including selfies, photo retouching, memes, online videos, social media posts, video conferences, and WeChat red packets, the author elucidates the mediatized self-expression embodied in these key phenomena and shows how reality and virtual life converge and interact. The final two chapters discuss drivers of new forms of mediatization surrounding data and cyborgs, exploring the impact of algorithms on people and the outlook for human-machine relationships. This title will be a must-read for scholars, students and media professionals interested in the topics of internet communication, new media usage and media and society as a whole.

Informed by the anthropological research of Professor Donald E. Brown on human universals, this book compiles 10 articles exploring the representation of common human cultural practices and concerns in literature, cinema and language. The book as a whole demonstrates not only that Brown’s human universals are shared by different cultures, but most importantly that they have the potential to form a basis for inter- and intra-cultural communication and consolidation, bridging gaps of misinformation and miscommunication, both spatial and temporal. The contributors are Egyptian scholars who cross temporal and spatial boundaries and borders from Africa and the Middle East to Asia, Europe and the Americas, and dive deep into the heart of the shared human universals of myth, folklore and rituals, dreams, trauma, cultural beliefs, search for identity, language, translation and communication. They bring their own unique perspectives to the investigation of how shared human practices and concerns seep through the porous boundaries of different cultures and into a variety of creative and practical genres of fiction, drama, autobiography, cinema and media translation. Their research is interdisciplinary, informed by anthropological, social, psychological, linguistic and cultural theory, and thus offers a multi-faceted and multi-layered view of the human experience.

Do new forms of connection need more regulation and control? These fascinating essays explore the question from technical, socio-philosophical and design perspectives.