Virginia Woolf’s Unwritten Histories explores the interrelatedness of Woolf’s modernism, feminism and her understanding of history as a site of knowledge and a writing practice that enabled her to negotiate her heritage, to find her place among the moderns as a female artist and intellectual, and to elaborate her poetics of the "new": not as radical rupture but as the result of a process of unwriting and rewriting "traditional" historiographical orthodoxies. Its central argument is that unless we comprehend the genealogy of Woolf’s historical thought and the complexity of its lineage, we cannot fully grasp the innovative thrust of her attempt to "think back through our mothers." Bringing together canonical texts such as Orlando (1928), A Room of One’s Own (1929), Three Guineas (1938) or Between the Acts (1941) and under-researched ones — among which stand Woolf’s essays on historians and reviews of history books and her pieces on literary history and nineteenth-century women’s literature — this book argues that Woolf’s textual "conversations" with nineteenth-century writers, historians and critics, many of which remain unexplored, are interwoven with her historiographical poiesis and constitute the groundwork for her alternative histories and literary histories: "unwritten," open-textured, unacademic and polemical counter-narratives that keep track of the past and engage politically with the future.

»An Unwritten Novel« is a short story by Virginia Woolf, first published in 1920. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

In her feminist polemic, ‘A Room of One’s Own’, Virginia Woolf famously wrote of the (comparatively recent) literary tradition of female writers: ‘we think back through our mothers if we are women.’ Woolf’s major literary mothers were those women novelists writing during the Victorian period and earlier. Virginia Woolf and the Lives, Works, and Afterlives of the Brontës examines all of Woolf’s writings on the Brontës, across a wide range of genres: juvenilia, novels, literary essays, feminist polemics, diaries and letters. This proves particularly fruitful as Woolf herself was both a creative artist and a literary critic. As a woman, she was ambivalent towards the Victorian world in which she spent her youth: emotionally she remained in thrall to it; but intellectually she developed the modernist novel. After Woolf ceased to write publicly about the Brontës, she continued to engage with them through the Hogarth Press, which she had founded in 1917 with her husband Leonard. She then chose to publish books on the Brontës whose approaches to them she supported. Newman approaches her subject in a Woolfian way: that is, she avoids dogmatism and aims to open up discussion of the lives, works and afterlives of the Brontës as mediated by Woolf, rather than closing it down to one particular interpretation.

Woolf Short Stories is a collection of stories by: Virginia Woolf. The Edition includes: (The Mark on the Wall, Kew Gardens, Solid Objects, An Unwritten Novel, A Haunted House, Monday or Tuesday, The String Quartet, A Society, Blue and Green, In the Orchard, Mrs Dalloway in Bond Street, A Woman's College From Outside, The New Dress, Moments of Being, The Lady in the Looking-Glass, The Shooting Party, The Duchess and The Jeweller, Lappin and Lappinova, The Man Who Loved His Kind, The Searchlight, The Legacy, Together and Apart, A Summing Up).

An Unwritten Novel', a 1920 short story she wrote in defence of her new modernist method. It is a story that invites endless interpretation and analysis.

Virginia Woolf was one of the foremost authors of the twentieth century, whose ground-breaking novels and essays had a profound impact on modernist literature. This eBook presents the collected works of Virginia Woolf, complemented with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 10) * Beautifully illustrated with images relating to Woolf’s life and works * Concise introductions to the novels and other texts * 6 novels, with individual contents tables * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * The rare play penned by Woolf * A wide selection of non-fiction * Easily locate the short stories you want to read * Ordering of texts into chronological order and literary genres * Updated with 2 novels and many rare essays Please note: due to US copyright restrictions, later works cannot appear in this edition. When new texts become available, they will be added to the eBook as a free update. CONTENTS: The Novels The Voyage Out (1915) Night and Day (1919) Jacob’s Room (1922) Mrs. Dalloway (1925) To the Lighthouse (1927) Orlando (1928) The Short Stories The Short Stories of Virginia Woolf The Play Freshwater (1923) The Non-Fiction The Common Reader: First Series (1925) A Room of One’s Own (1929) On Being Ill (1930) London Essays (1931) The Common Reader: Second Series (1932) Walter Sickert: A Conversation (1934) Miscellaneous Essays

'Woolf is modern ... With Joyce and Eliot she has shaped a literary century' Jeanette Winterson Virginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from the more traditional narrative style of 'Solid Objects' through the fragile impressionism of 'Kew Gardens' to the abstract exploration of consciousness in 'The Mark on the Wall'. Edited with an Introduction and Notes by Sandra Kemp