From a lauded poet and playwright, a novel of a young woman's life with the Black Panthers in 1960s San Francisco At first glance, Geniece’s story sounds like that of a typical young woman: she goes to college, has romantic entanglements, builds meaningful friendships, and juggles her schedule with a part-time job. However, she does all of these things in 1960s San Francisco while becoming a militant member of the Black Panther movement. When Huey Newton is jailed in October 1967 and the Panthers explode nationwide, Geniece enters the organization’s dark and dangerous world of guns, FBI agents, freewheeling sex, police repression, and fatal shoot-outs—all while balancing her other life as a college student. A moving tale of one young woman’s life spinning out of the typical and into the extraordinary during one of the most politically and racially charged eras in America, Virgin Soul will resonate with readers of Monica Ali and Ntozake Shange.

The Soul as Virgin Wife presents the first book-length study to give a detailed account of the theological and mystical teachings written by women themselves, especially by those known as beguines, which have been especially neglected. Hollywood explicates the difference between the erotic and imagistic mysticism, arguing that Mechthild, Porete, and Eckhart challenge the sexual ideologies prevalent in their culture and claim a union without distinction between the soul and the divine. The beguines' emphasis in the later Middle Ages on spiritual poverty has long been recognized as an important influence on subsequent German and Flemish mystical writers, in particular the great German Dominican preacher and apophatic theologian Meister Eckhart. In The Soul as Virgin Wife, Amy Hollywood presents the first book-length study to give a detailed textual account of these debts. Through an analysis of Magdeburg's The Flowing Light of the Godhead, Marguerite Porete's Mirror of Simple Souls, and the Latin commentaries and vernacular sermons of Eckhart, Hollywood uncovers the intricate web of influence and divergence between the beguinal spiritualities and Eckhart.

A NEW ERA Time, which had stopped for Kikuhiko and Sukeroku, begins to move again at last. Sukeroku retakes his place on stage, and the warmth of the audience's love reminds him of what it means to be a storyteller. The stage is set for his triumphant return to Tokyo with Kikuhiko, and there, together, they can build the future of rakugo they've been dreaming of. But before they can, a ghost from both Kikuhiko and Sukeroku's past returns, threatening to drag them both under...The story of Kikuhiko, Sukeroku, and Miyokichi reaches its final act!

This is a complete handbook of information and opinion about the history of R&B and soul music. Based on the Encyclopedia of Popular Music, the book contains over 1000 entries covering musicians, bands, songwriters, producers and record labels which have made a significant impact on the development of R&B and soul music. It brings together people such as Otis Reading and Aretha Franklin with the great Philly groups of the 1970s, the mainstream soul of Will Downing and Anita Baker and the modern generation of artists such as Mary J. Blige, Babyface and Toni Braxton. As well as headline acts, the book also covers performers who flourished briefly. Each entry offers information such as dates, career facts, discography and album ratings.

The Benefactor, Susan Sontag's first book and first novel, originally published in 1963, introduced a unique writer to the world. In the form of a memoir by a latter-day Candide named Hippolyte, The Benefactor leads us on a kind of psychic Grand Tour, in which Hippolyte's violently imaginative dream life becomes indistinguishable from his surprising experiences in the 'real world.' Sontag's novel supplies a fascinating, knowing, acerbic portrait of a certain bohemian demimonde that flourished in France until quite recently. More important, The Benefactor is a novel about ideas-especially religious ideas-unlike any other: funny, acrobatic, disturbing, profound.

In what remains a widely discussed issue in contemporary theology, J. Gresham Machen's The Virgin Birth of Christ acts as both an introduction to the subject, and a window into American 'Princeton' theology in the early twentieth century. Machen undertakes an encyclopaedic study of the different perspectives on the virgin birth. He begins with a close reading of the scriptural accounts, comparing and contrasting the stories of Jesus' birth told in Luke and Matthew. Secular historical accounts are then considered, as well as possible alternative theories, including the likelihood of the story being of early Jewish or Pagan origin. Machen's study was the definitive work on the virgin birth for the majority of the twentieth century, and remains an invaluable resource, both as an apologetic work and as a time capsule of theological progress.