From a colonial campaign that was envisioned by France as the redemption of its Algerian “children" through Western civilization to Algerian Independence that was lived by both parties as a bloody divorce; recent Algerian history has been imagined and represented in terms of the family. Prominent authors such as Kateb Yacine and Mouloud Mammeri pondered their own fate during the War of Independence as the “mixed” children of a failed colonial marriage. Contemporary postcolonial authors such as Rachid Boudjedra, Yasmina Salah, and Arezki Mellal have filled their narratives with orphaned children searching for ideal parents as a civil war ripped Algeria apart in the 1990s. Violent Beginnings: Literary Representations of Postcolonial Algeria explores how violence, during the War of Independence (1954–1962) to the more recent civil war (1991–2002), has shaped literary representations of both family and nation in contemporary literature. For example, discussions of the struggle for independence in Assia Djebar’s La femme sans sépulture and Ahlam Mostaghanemi’s Memory of the Flesh, represent sexual torture associated with this earlier war period as having a negative impact on victims’ ability to have children and contribute to the development of the Algerian nation. Texts examining the more recent civil war such as Rachid Boudjedra’s La vie à l’endroit and Yasmina Salah’s Glass Nation establish a link between the earlier violence of the independence struggle and contemporary events. Additionally, these texts proceed todemonstrate how violence has shaped familial and national structures, more specifically causing distorted familial bonds and political chaos in contemporary Algerian society.

The deal was sealed the moment she stepped onto that stage. It was like seeing a ghost. Sunshine blonde hair, pale skin, and azure eyes that held a thousand secrets.I didn't know what caused her to end up on that auction block. And I didn't care either. All I knew was that I had to have her...no matter the cost.One-million dollars later and she became just that. Mine to break. Mine to use. Mine to keep. We all have secrets, and when I discover hers, no one will be able to save her from me.*This is a complete standalone, 100k+ word novel. It contains dark themes, including violence and sexual situations. As always there is no cheating, and a happily ever after.*

A searing portrait of the racial dynamics that lie inescapably at the heart of our nation, told through the turbulent history of the city of St. Louis. From Lewis and Clark's 1804 expedition to the 2014 uprising in Ferguson, American history has been made in St. Louis. And as Walter Johnson shows in this searing book, the city exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation's past. St. Louis was a staging post for Indian removal and imperial expansion, and its wealth grew on the backs of its poor black residents, from slavery through redlining and urban renewal. But it was once also America's most radical city, home to anti-capitalist immigrants, the Civil War's first general emancipation, and the nation's first general strike—a legacy of resistance that endures. A blistering history of a city's rise and decline, The Broken Heart of America will forever change how we think about the United States.

A Violent History of Benevolence traces how normative histories of liberalism, progress, and social work enact and obscure systemic violences. Chris Chapman and A.J. Withers explore how normative social work history is structured in such a way that contemporary social workers can know many details about social work's violences, without ever imagining that they may also be complicit in these violences. Framings of social work history actively create present-day political and ethical irresponsibility, even among those who imagine themselves to be anti-oppressive, liberal, or radical. The authors document many histories usually left out of social work discourse, including communities of Black social workers (who, among other things, never removed children from their homes involuntarily), the role of early social workers in advancing eugenics and mass confinement, and the resonant emergence of colonial education, psychiatry, and the penitentiary in the same decade. Ultimately, A Violent History of Benevolence aims to invite contemporary social workers and others to reflect on the complex nature of contemporary social work, and specifically on the present-day structural violences that social work enacts in the name of benevolence.

It started with a single look... my obsession, my desire, and need to possess the sweet, and incredibly naive Elena Romero. Dark raven hair, and piercing green eyes. She would make a beautiful bride. Ten-millions dollars and a forced signature later and she was mine. Like a thief I came in the dead of night and stole her away from her protected castle and placed her in a gilded cage made of gold. The deal had been made.She would become my wife. She would bear my children. She would bend to my will. But most importantly, she would help me destroy the man she loved most. The man who took everything from me: her father. *This is a dark mafia romance that contains mature themes and graphic violence.. This is a complete standalone that ends with a happily ever after. 100,000+ words long. There is NO cheating either.**

A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil.

Relates how one boy--who had friends, enjoyed reading, playing saxophone in the band, and had never been in trouble before--became a monster capable of entering his high school with a loaded gun and firing on his classmates, as told from the viewpoints of several victims. Each perspective is written by a different writer of young adult fiction.