The City of Singing Flame by Clark Ashton Smith – two stories of adventure into parallel universes. Despite its weird beauty, and its function as a portal to the Inner Dimension, the Singing Flame of Ydmos must be destroyed. The City of Singing Flame (1931) – In the city of strange wonders, the lure of the flame drew them on and on . . . . destruction loomed ahead . . . . Foreword The Journal A Plunge Into Nothingness An Amazing World The Lure of the Flame Beyond The Singing Flame (1931) – Into the land where distance and time melted away, he saw the enemies of Ydmos destroy the Singing Flame . . . . Chapter I Chapter II Into the Flame Chapter III The Inner Dimension

This imaginative and unconventional debut novel is set centuries in the future. An unnamed event has wiped out most of humanity, scattering its remnants across vast and now barren lands reminiscent of the 19th century western frontier of America. Small clusters of humans still cling to existence in a post-apocalyptic world that is increasingly overrun by those who have risen from the dead--or, as the living call them, the Walkin'. Thomas, a thirty-two year old conscripted soldier, homeward bound to the small frontier town of Barkley after fighting in a devastating civil war, is filled with hope at the thought of being reunited with his wife, Sarah, and daughter, Mary, both named after characters in the Good Book. As it turns out, he also happens to be among the Walkin'. Devoid of a pulse or sense of pain, but with his memories and hopes intact, Thomas soon realizes that the living, who are increasingly drawn to the followers of the Good Book, are not kindly disposed to the likes of him. And when he learns what the good people of Barkley intend to do to him, and to his family, he realizes he may just have to kidnap his daughter to save her from a fate worse than becoming a member of the undead. When the people of Barkley send out a posse in pursuit of father and daughter, the race for survival truly begins...

A fantastical, fast-paced science fiction novel of mystery and action from award-winning novelist Philip K. Dick.

"A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn't a legend and he wasn't mad. He lived among us, and was a genius."-Jonathan Lethem Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick's brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick's life and work.

A wry look at how different people see the world, told in the caustically fun style of award-winning science fiction novelist Philip K. Dick.

A disparate group of characters are brought together on a ravaged Earth and must contend with an underclass that's starting to ask too many questions.

Louis Rosen and his partners sell people--ingeniously designed, historically authentic simulacra of personages such as Edwin M. Stanton and Abraham Lincoln. The problem is that the only prospective buyer is a rapacious billionaire whose plans for the simulacra could land Louis in jail. Then there's the added complication that someone--or something--like Abraham Lincoln may not want to be sold. Is an electronic Lincoln any less alive than his creators? Is a machine that cares and suffers inferior to the woman Louis loves--a borderline psychopath who does neither? With irresistible momentum, intelligence, and wit, Philip K. Dick creates an arresting techno-thriller that suggests a marriage of Bladerunner and Barbarians at the Gate.