'Well, hello and welcome, I'm Vincent, that's me. The most gorgeous gorilla you'll ever see. All of me's fabulous, but the bit I love best . . . is my gloriously hairy, furry chest!' When Vincent's celebrated chest hair starts to dwindle and fall out, his verve for life takes an unexpected sky dive, too. But his friends soon find a way to put the cheer back into Vincent's world view and the way he sees himself.

Here you have found a book so foul, so repulsive, so horrifying... that you will undoubtedly find yourself running to the nearest bathroom in an effort to both relieve your bowels and scrub your hands clean of its putrid filth. Though these attempts will be in vain -- just as the authors of this demented book of short stories have planned. I speak of none other than the intolerable Mr. Vincent V. Cava and his dimwitted pen pal, S.R. Tooms (the pair oftentimes billed simply as Hideous and Handsome). They have finally released this humorous collection of terrifying tales, despite the bitter public outcry which demanded these pages never see the light of day.

'For man walketh in a vain shadow ... he keepeth up riches and cannot tell who shall gather them' - these words are spoken at the funeral service for old Colonel Winthorpe who does not bequeathe much except worldly goods to any gathered there - except his granddaughter, Joanna. This novel is concentrated on the four days which attend his death; on the many proprieties and pretenses which shroud its reality (the arrangements, his immediate and permanent disposition, the formalities from the church to the crematorium, and finally the less mortal remains - the will). The Colonel leaves a widow whose marriage to him had been loveless to begin with and joyless to the end; three sons of middle age. None mourn him but his presence is everywhere as they drink his port, usurp his chair. Only Joanna is left with the desire and capacity to live more fully.

Titled from lyrics of the song “Nobody Home” by Pink Floyd, this well-thought poetry collection touches on the subjects of loss, love, pain, happiness, depression, abandonment, war, good vs. evil, alcoholism, religion, and complicated family relationships. Written mostly in metered, rhyming stanzas, Black Book of Poems provides a non-threatening platform for reflection and meditation on life’s most difficult challenges. This collection offers a refreshingly honest approach to life and love that feels realistic and relatable to everyone.

I know that better than most. Since rejoining the Pride, I've made big decisions and even bigger mistakes: the kind paid for with innocent lives. As the first and only female enforcer, I have plenty to prove to my father, the Pride and myself. And with murdered toms turning up in our territory, I'm working harder than ever, though I always find the energy for a little after-hours recreation with Marc, my partner both on and off duty. But not all my mistakes are behind me. We're beginning to suspect that the dead are connected to a rash of missing human women and that they can all be laid at my feet-two or four, take your pick. And one horrible indiscretion may yet cost me more than I can bear....

The New York Times bestselling, authoritative account of the life of Charles Manson, filled with surprising new information and previously unpublished photographs: “A riveting, almost Dickensian narrative…four stars” (People). More than forty years ago Charles Manson and his mostly female commune killed nine people, among them the pregnant actress Sharon Tate. It was the culmination of a criminal career that author Jeff Guinn traces back to Manson’s childhood. Guinn interviewed Manson’s sister and cousin, neither of whom had ever previously cooperated with an author. Childhood friends, cellmates, and even some members of the Manson family have provided new information about Manson’s life. Guinn has made discoveries about the night of the Tate murders, answering unresolved questions, such as why one person near the scene of the crime was spared. Manson puts the killer in the context of the turbulent late sixties, an era of race riots and street protests when authority in all its forms was under siege. Guinn shows us how Manson created and refined his message to fit the times, persuading confused young women (and a few men) that he had the solutions to their problems. At the same time he used them to pursue his long-standing musical ambitions. His frustrated ambitions, combined with his bizarre race-war obsession, would have lethal consequences. Guinn’s book is a “tour de force of a biography…Manson stands as a definitive work: important for students of criminology, human behavior, popular culture, music, psychopathology, and sociopathology…and compulsively readable” (Ann Rule, The New York Times Book Review).

Spanning the early 1900s up to modern times, this collection of stories traces the intersecting lives of travelers, expatriates and local folks on a fictional Caribbean Island.