Book 1: Immerse yourself in the exploration of social conventions and individual freedom with “A Room with a View by E. M. Forster.” Forster's novel follows the journey of Lucy Honeychurch as she grapples with societal expectations and the pursuit of personal happiness in the early 20th century. Book 2: Delve into the dark and decadent world of “The Picture of Dorian Gray by Oscar Wilde.” Wilde's novel delves into the consequences of vanity and moral corruption as Dorian Gray's portrait reflects the impact of his hedonistic choices, creating a compelling narrative that explores the depths of human nature. Book 3: Step into the opulent and enigmatic world of “The Great Gatsby by F. Scott Fitzgerald.” Fitzgerald's masterpiece unravels the American Dream through the lens of Jay Gatsby's pursuit of wealth, love, and social status in the roaring twenties, offering a poignant critique of the Jazz Age.

“As if Harry Potter was written for grown-ups, Peter Straub’s Shadowland delivers carnage, blood, pain, fairy tales, and flashes of joy and wonder, just like real magic.”—Grady Hendrix You have been there...if you have ever been afraid. Come back. To a dark house deep in the Vermont woods, where two friends are spending a season of horror, apprenticed to a Master Magician. Learning secrets best left unlearned. Entering a world of incalculable evil more ancient than death itself. More terrifying. And more real. Only one of them will make it through.

A darkly witty mystery set at a New England prep school: “Part Dead Poets Society. Part Heathers. Entirely addictive” (Glamour). “Do you know what it took for Socrates’ enemies to make him stop pursuing the truth?” “Hemlock.” The fiercely competitive Mariana Academy was founded with a serious honor code; its reputation has been unsullied for decades. But now, a long-dormant secret society called Prisom’s Party seems to have reemerged, threatening the school’s placid halls with vigilante justice, exposing students and teachers alike for even the most minor infraction. Iris Dupont, a budding journalist whose only confidant is the chain-smoking specter of Edward R. Murrow, feels sure she can break into the ranks of the Devil’s Advocate, the Party’s underground newspaper, and there uncover the source of its blackmail schemes and vilifying rumors. Some involve the school’s new science teacher, who also seems to be investigating the Party. Others point to an albino student who left school abruptly ten years before, never to return. And everything connects to a rare book called Marvelous Species. But the truth comes with its own dangers, and Iris is torn between her allegiances, her reporter’s instinct, and her own troubled past, in this “darkly comic romp” filled with double-crosses and deeply buried secrets (The Washington Post).

Nihilism, Modernism, and Value consists of three jargon-free lectures addressed to the general reader. It explores a variety of ways in which writers responded to the phenomenon of nihilism in the 19th and early 20th centuries, By "nihilism" here is meant a sense, at times paralyzing, of the instability and perhaps groundlessness of all values. The book goes into some of the factors— psychological, sociological, philosophical—involved in that destabilizing. But its principal focus is on reintegration, and it draws freely on real-world experiences to illuminate concepts and strategies. Among the writers whose names figure in it are Conrad, Nietzsche, Beckett, Woolf, Heidegger, Rhys, Pushkin, Baudelaire, Hemingway, Lessing, Stevens, Valéry, and James (William), with particular attention at one point to Kafka and Borges. But no prior knowledge of them is required for following the argument, with its numerous lively quotations. The author himself is advancing heuristically, not just performing an academic exercise. The problems confronted are as relevant still as they were generations ago. A reviewer of John Fraser's first book spoke of "an extremely agile and incessantly active mind which illuminates almost every subject it touches." A reviewer of the second one, both of them published by Cambridge University Press, called it "a brilliant and utterly absorbing work," and said that "There are not many learned books which have the unputdownable quality of a thriller; this is one of them."

From the multi-award-winning and bestselling author of The Night Watch and Fingersmith comes an astonishing novel about love, loss, and the sometimes unbearable weight of the past. In a dusty post-war summer in rural Warwickshire, a doctor is called to see a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the once grand house is now in decline, its masonry crumbling, its garden choked with weeds. All around, the world is changing, and the family is struggling to adjust to a society with new values and rules. Roddie Ayres, who returned from World War II physically and emotionally wounded, is desperate to keep the house and what remains of the estate together for the sake of his mother and his sister, Caroline. Mrs. Ayres is doing her best to hold on to the gracious habits of a gentler era and Caroline seems cheerfully prepared to continue doing the work a team of servants once handled, even if it means having little chance for a life of her own beyond Hundreds. But as Dr. Faraday becomes increasingly entwined in the Ayreses’ lives, signs of a more disturbing nature start to emerge, both within the family and in Hundreds Hall itself. And Faraday begins to wonder if they are all threatened by something more sinister than a dying way of life, something that could subsume them completely. Both a nuanced evocation of 1940s England and the most chill-inducing novel of psychological suspense in years, The Little Stranger confirms Sarah Waters as one of the finest and most exciting novelists writing today.