Novel excerpts include: Robert Stone's Dog Soldiers, David Halberstam's One Very Hot Day, and Jeff Danziger's Lieutenant Kitt. Short stories include Asa Baber's "The Ambush," Tobias Wolff's "Wingfield," and Tim O'Brien's "The Things They Carried." Drama excerpts include David Rabe's Streamers and Lanford Wilson's The 5th of July. Poets include: Denise Levertov, Jan Barry, E. D. Ehrhart, Basil T. Paquet, Stephen Sossaman, Bryan Alec Floyd, Bruce Weigl, and Trang Thi Nga.

This updated and revised edition of Light at the End of the Tunnel is an exhaustive account of the Vietnam War that gives a total overview of the conflict. Starting with Ho Chi Minh's revolt against the French, Andrew Rotter takes the reader through the succeeding years as scholars, government officials, journalists, and others recount the important events and examine issues that developed during this tumultuous time. This book is essential for anyone who has an interest in truly understanding the Vietnam War. These readings will both educate and entertain students about this turning point in the history of the United States and, indeed, the world.

Through the voices of senior officials, teachers, soldiers, journalists, and artists, The Republic of Vietnam, 1955–1975, presents us with an interpretation of "South Vietnam" as a passionately imagined nation in the minds of ordinary Vietnamese, rather than merely as an expeditious political construct of the United States government. The moving and honest memoirs collected, translated, and edited here by Tuong Vu and Sean Fear describe the experiences of war, politics, and everyday life for people from many walks of life during the fraught years of Vietnam's Second Republic, leading up to and encompassing what Americans generally call the "Vietnam War." The voices gift the reader a sense of the authors' experiences in the Republic and their ideas about the nation during that time. The light and careful editing hand of Vu and Fear reveals that far from a Cold War proxy struggle, the conflict in Vietnam featured a true ideological divide between the communist North and the non-communist South.

In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials. The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975—a perspective still largely missing from American narratives.

By 1969, following the French defeat at Dien Bien Phu, over 500,000 US troops were ‘in country’ in Vietnam. Before America’s longest war had ended with the fall of Saigon in 1975, 450,000 Vietnamese had died, along with 36,000 Americans. The Vietnam War was the first rock ’n’ roll war, the first helicopter war with its doctrine of ‘airmobility’, and the first television war; it made napalm and the defoliant Agent Orange infamous, and gave us the New Journalism of Michael Herr and others. It also saw the establishment of the Navy SEALs and Delta Force. At home, America fractured, with the peace movement protesting against the war; at Kent State University, Ohio National Guardsmen fired on unarmed students, killing four and injuring nine. Lewis’s compelling selection of the best writing to come out of a war covered by some truly outstanding writers, both journalists and combatants, includes an eyewitness account of the first major battle between the US Army and the People’s Army of Vietnam at Ia Drang; a selection of letters home; Nicholas Tomalin’s famous ‘The General Goes Zapping Charlie Cong’; Robert Mason’s ‘R&R’, Studs Terkel’s account of the police breaking up an anti-war protest; John Kifner on the shootings at Kent State; Ron Kovic’s ‘Born on the Fourth of July’; John T. Wheeler’s ‘Khe Sanh: Live in the V Ring’; Pulitzer Prize-winner Seymour Hersh on the massacre at My Lai; Michael Herr’s ‘It Made You Feel Omni’; Viet Cong Truong Nhu Tang’s memoir; naval nurse Maureen Walsh’s memoir, ‘Burning Flesh’; John Pilger on the fall of Saigon; and Tim O’Brien’s ‘If I Die in a Combat Zone’.

He has organized the poems - which range from ancient to very recent works - around nine main themes that include Vietnamese views of society, responses to foreign influences, and feelings about such universal themes as relationships between men and women, the role of art in life, and conflicts among social classes.

Includes both fiction and nonfiction showing the American viewpoint of the Vietnam War and its aftermath.