This volume complements other published works about travel by nineteenth-century women writers by locating and creating ‘space’ for Japan which is missing within recent critical discourses on travel writing. It examines the narratives of women writers who travelled to Japan from the mid-1850s onwards, when Japan was first opened to the West, and became a highly desirable travel destination for decades thereafter. Many women travelled in this period, and although most left no record of their journeys, enough did to form a discrete body of literature spanning more than fifty years – from the end of the feudal Tokugawa era to the rise of Meiji Japan as a world power. Their narratives about Japan occupy a culturally significant place, not only in the genre of Victorian female travel writing, but in Victorian travel writing per se. The writers who are the subject of this book are divided into two groups: those who were ‘travellers-by-intent’, namely, Anna D’A, Alice Frere, Annie Brassey, Isabella Bird and Marie Stopes, and those who ‘travelled-by-default’ as the wives of diplomats, namely Mrs Pemberton Hodgson, Mrs Hugh Fraser and Baroness Albert d’Anethan.

Victorian Women's Travel Writing on Meiji Japan: Hospitable Friendship examines forgotten stories of cross-cultural friendship and intimacy between Victorian female travel writers and Meiji Japanese. Drawing on unpublished primary sources and contemporary Japanese literature hithero untranslated into English it highlights the open subjectivity and addective relationality of Isabella Bird, Mary Crawford Fraser, and Marie Stopes in their interactions with Japanese hosts. Victorian Women's Travel Writing on Meiji Japan demonstates how travel narratives and literary works about non-colonial Japan complicate and challenge Oriental stereotypes and imperial binaries. It traces the shifts in the representation of Japan in Victorian discourse from obsequious mousmé to virile samurai alongside transitions in the Anglo-Japanese bilateral relationship and global geopolitical events. Considering the ethical and political implications of how Victorian women wrote about their Japanese friends, it examines how female travellers created counter discourses. It charts the unexplored terrain of female interracial and cross-cultural friendship and love in Victorian literature, emphasizing the agency of female travellers against the scholarly tendency to depoliticize their literary praxis. It also offers parallel narratives of three Meiji women in Britain - Tsuda Umeko, Yasui Tetsu, and Yosano Akiko -and transnational feminist alliance. The book is a celebration of the political possibility of female friendship and literature, and a reminder of the ethical responsibility of representing racial and cultural others.

Greece has always occupied a prevalent position in European philosophy. During the Enlightenment, the Greco-Roman culture gained a new impetus, which paved the way for the surge of the Grand Tour and established Italy as a popular travel destination amongst European travellers who yearned to be in close communion with its ancient sites. Unlike Italy, Greece still posed a challenge to the average travel writer, since it functioned as a bridge between Europe and the Orient. The gradual shift of focus from Neoclassical ideals to Northernism, which conveniently conformed to the nation-building Anglo-Saxon paradigm, marked a parallel reversal of cultural order, which resulted in the view of Greece as a land of piracy and banditry, conditions which intensified its perception as the Oriental Other and led British intellectuals to associate the Greek nation with nearby countries on various levels. Considering the parallel emergence of the “pseudosciences”, which venerated the image of the Nordic race and persistently viewed other nations as the Other, Greece was automatically placed as an alien culture in the light of Social Darwinism. During its war of independence, Greece became the subject of ardent political and cultural debates, which favoured its autonomy from the Ottoman yoke, yet undermined its complete transformation into an independent state. The focal point of this book is British women travellers’ perceptions of Greece and the Orient from the late-eighteenth century until the late-Victorian era. The construction of a Greek dystopia will be explored in relation to the historical background that fuelled the negative conceptualisation of the Greek nation as mongrel, unruly, indolent and perilous to the British imperialist agenda. This book, therefore, sheds light on British women travellers’ efforts to subvert patriarchal authority and engage in predominantly male activities, during which they are purposefully or unconsciously led to several misconceptions regarding the Greek cause.

What to read next is every book lover's greatest dilemma. Nancy Pearl comes to the rescue with this wide-ranging and fun guide to the best reading new and old. Pearl, who inspired legions of litterateurs with "What If All (name the city) Read the Same Book," has devised reading lists that cater to every mood, occasion, and personality. These annotated lists cover such topics as mother-daughter relationships, science for nonscientists, mysteries of all stripes, African-American fiction from a female point of view, must-reads for kids, books on bicycling, "chick-lit," and many more. Pearl's enthusiasm and taste shine throughout.

"The contemporary world is increasingly defined by dizzying flows of people and ideas. But while Western travel is associated with a pioneering spirit of discovery, the dominant image of Muslim mobility is the jihadi who travels not to learn but to destroy. Journeys to the Other Shore challenges these stereotypes by charting the common ways in which Muslim and Western travelers negotiate the dislocation of travel to unfamiliar and strange worlds. In Roxanne Euben's groundbreaking excursion across cultures, geography, history, genre, and genders, travel signifies not only a physical movement across lands and cultures, but also an imaginative journey in which wonder about those who live differently makes it possible to see the world differently. ... This extraordinary book shows that curiosity about the unknown, the quest to understand foreign cultures, critical distance from one's own world, and the desire to remake the foreign into the familiar are not the monopoly of any single civilization or epoch. Euben demonstrates that the fluidity of identities, cultures, and borders associated with our postcolonial, globalized world has a long history--one shaped not only by Western power but also by an Islamic ethos of travel in search of knowledge."--Publisher's description.

This is the first anthology of British travel writing on Italy which traces the development of the genre and the history of the British perception of Italy from the Renaissance to the present. As an anthologie raissonnée it presents the texts in thematic clusters and chronological order, providing commentary and annotations for each of them and their nearly hundred authors (some of them, like Smollett, Byron, Dickens or Huxley, well-known, others virtually unknown, amongst them many unduly neglected women writers). Further features are a substantial introduction to the travelogue and the writing of Italy, more than thirty illustrations visualizing the British experience of Italy, and an extensive bibliography of primary and secondary sources.