Victoria Miller was an average middle-aged woman who wore life on her face. She had resigned herself to her own end when she was diagnosed with terminal cancer. However, Fate had a different plan for herbecause Fate was about to give her a life filled with love, passion, adventure, and a new purpose. The catch was, she had to die and leave the mortal world behind in order to get it. With the help of some very special beings, she entered and learned of her new world and what it meant to be one of a kind. She must face not only the changes within herself but deal with others that would rather see her destroyed so that they can carry out a plan that has been thousands of years in the making.

"Kim Newman's Anno Dracula is back in print, and we must celebrate. It was the first mash-up of literature, history and vampires, and now, in a world in which vampires are everywhere, it's still the best, and its bite is just as sharp. Compulsory reading, commentary, and mindgame: glorious." - Neil Gaiman "Politics, horror, and romance are woven together in this brilliantly imagined and realized novel. Newman's prose is a delight, his attention to detail is spellbinding." - Time Out “Stephen King assumes we hate vampires; Anne Rice makes it safe to love them, because they hate themselves. Kim Newman suspects that most of us live with them… Anno Dracula is the definitive account of that post-modern species, the self-obsessed undead.” - New York Times “Anno Dracula will leave you breathless... one of the most creative novels of the year.” - Seattle Times “Powerful... compelling entertainment... a fiendishly clever banquet of dark treats.” - San Francisco Chronicle 'A ripping yarn, an adventure romp of the best blood, and a satisfying… read' - Washington Post Book World "The most comprehensive, brilliant, dazzlingly audacious vampire novel to date. 'Ultimate' seems an apt description... Anno Dracula is at once playful, horrific, intelligent, and revelatory." - Locus "A marvelous marriage of political satire, melodramatic intrigue, gothic horror, and alternative history. Not to be missed." - The Independent "Once you start reading this Victorian-era thriller, you will not be satiated until you reach the end." - Ain't It Cool "Anno Dracula is the smart, hip Year Zero of the vampire genre's ongoing revolution." - Paul McAuley "Kim Newman brings Dracula back home in the granddaddy of all vampire adventures. Anno Dracula couldn't be more fun if Bram Stoker had scripted it for Hammer. It's a beautifully constructed Gothic epic that knocks almost every other vampire novel out for the count." - Christopher Fowler "The most interesting take on the Dracula story... to date. Recommending this one to all those that love Dracula and historical fiction!" - RexRobotReviews -- It is 1888 and Queen Victoria has remarried, taking as her new consort Vlad Tepes, the Wallachian Prince infamously known as Count Dracula. Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Geneviève Dieudonné and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders. Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London. This brand-new edition of the bestselling novel contains unique bonus material, including a new afterword from Kim Newman, annotations, articles and alternate endings to the original novel.

"Take a journey into the macabre in search of those ultimate creatures of the night: the immortal beings who defy death by feeding on the lifeblood of others - vampires. Generation after generation has found vampire lore - printed in old books, inscribed in medieval manuscripts, whispered by firelight in chimney corners, or written in moldering tombs and ancient bones - to be as fascinating as it is frightening. Yet its origins have always been shrouded in mystery." "Where did vampires first arise? Was Dracula really inspired by a 15th-century nobleman with the bloodcurdling name of Vlad the Impaler? Why are vampires so closely associated with epidemic disease and bats? What can we learn from the amazing recent discovery by National Geographic grantee Dr. Matteo Borrini of the buried remains of a 16th-century Venetian plague victim and suspected vampire? And what is it about graveyards that made people believe that the dead could prey on the living?" "In Vampire Forensics, historian Mark Jenkins probes vampire legend and shows how modern forensics, anthropology, and archaeology have helped to dig up historical truths enshrined in these gruesome tales." --Book Jacket.

From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.

Whether you want to climb the Sydney harbor bridge, ride the perfect wave at Bondi Beach, watch the sun set over Ayers Rock, or stroll the cosmopolitan streets of Melbourne, this guide is your ultimate travel companion. The best places to visit in Australia are showcased with fantastic photography and detailed descriptions, plus DK's unique illustrations and floor plans. Packed with valuable insider information such as Sydney's best beaches and Melbourne's buzzing shopping districts, along with a wealth of practical tips including hotel and restaurant listings, transportation maps, suggested itineraries, and tours of unmissable sights, DK Eyewitness Travel Guide: Australia is the only guide you'll need. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Australia truly shows you this city as no one else can.