On a cold, rainy night, just outside of Medford, Oregon, the trail was darklike when you close your eyes in a closet kind of dark. Clouds covered the sky and moon, what little of it there was. For days, the moon had been a sliver, like a cats eye. It was barely noticed except by him, Victor Jane, a lone cowboy with a small herd.

John Polidori’s novella The Vampyre (1819) is perhaps ‘the most influential horror story of all time’ (Frayling). Polidori’s story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori’s Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori’s vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. The essays emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.

Possessing a destructive curse and the ability to see the future, Vishous finds fate playing a cruel trick on him when he meets Jane Whitcomb, a human doctor who introduces him to true pleasure but who can never be a part of his future.

This book explores (mis)representations of two female claimants to the Tudor throne, Lady Jane Grey and Mary I of England. It places Jane's attempted accession and Mary I's successful accession and reign in comparative perspective, and illustrates how the two are fundamentally linked to one another, and to broader questions of female kingship, precedent, and legitimacy. Through ten original essays, this book considers the nature and meaning of mid-Tudor queenship as it took shape, functioned, and was construed in the sixteenth century as well as its memory down to the twenty-first, in literary, musical, artistic, theatrical, and other cultural forms. Offering unique comparative insights into Jane and Mary, this volume is a key resource for researchers and students interested in the Tudor period, queenship, and historical memory.

In the shadows of the night in Caldwell, New York, there’s a deadly war raging between vampires and their slayers. And there exists a secret band of brothers like no other—six vampire warriors, defenders of their race. And now, a dutiful twin must choose between two lives... Fiercely loyal to the Black Dagger Brotherhood, Phury has sacrificed himself for the good of the race, becoming the male responsible for keeping the Brotherhood's bloodlines alive. As Primale of the Chosen, he is to father the sons and daughters who will ensure that the traditions of the race survive and that there are warriors to fight those who want all vampires extinguished. As his first mate, the Chosen Cormia wants to win not only his body but his heart for herself- she sees the emotionally scarred male behind all his noble responsibility. But while the war with the Lessening Society grows more grim, and tragedy looms over the Brotherhood's mansion, Phury must decide between duty and love.