Over the last 10 years Gaye I. Clemson, a resident of Algonquin Park, has been collecting stories and manuscripts from fellow Algonquin Park residents in an ongoing effort to capture the voices of over 100 years of leasehold experience. One such set of experiences are those from what now is a public campground on the east side of Algonquin Park, but in former days was a railway station called Rock Lake Station. Established in 1896 with the coming of the Ottawa, Arnprior and Parry Sound Railway, Rock Lake Station was for over forty years a bustling center for Algonquin park tourism and commerce. At its' peak in 1910, history indicates that up to six trains a day passed through. Most were freight trains moving wheat and other products from western Canada to markets in mid-western United States, Ottawa and Montreal. Unfortunately the building of a highway through the park in the 1930's led to the demise of the railway in the late 1940's. These events sealed Rock Lake Station's fate and today there are no signs of its existence, unless one knows where and how to look. This book is the third in a series of narratives designed to bring to life the human history of Algonquin Park with specific focus on the active and vibrant Rock Lake and Whitefish Lake community.

*A Kirkus Best Book of July* *An InsideHook Book You Should Be Reading This July* A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes or their impact on the neighborhoods around them. Traditional music history tells us that famous scenes are created by brilliant, singular artists. But dig deeper and you’ll find that they’re actually created by cheap rent, empty space and other unglamorous factors that allow artistic communities to flourish. The 1960s folk scene would have never existed without access to Greenwich Village’s Washington Square Park. If the city hadn’t gone bankrupt in 1975, there would have been no punk rock. Brooklyn indie rock of the 2000s was only able to come together because of the borough’s many empty warehouse spaces. But these scenes are more than just moments of artistic genius—they’re also part of the urban gentrification cycle, one that often displaces other communities and, eventually, the musicians themselves. Drawing from over a hundred exclusive interviews with a wide range of musicians, deejays and scenesters (including members of Peter, Paul and Mary; White Zombie; Moldy Peaches; Sonic Youth; Treacherous Three; Cro-Mags; Sun Ra Arkestra; and Suicide), writer, historian and tour guide Jesse Rifkin painstakingly reconstructs the physical history of numerous classic New York music scenes. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.

Ernie Rutter has made, and continues to make, a significant impact in the field of rock deformation. He has studied brittle and plastic deformation processes that occur within both the oceanic and continental crust, as well as other key properties such as the permeability and seismic velocities of these rocks. His approach has been one that integrates field observations, laboratory experiments and theoretical analyses. This volume celebrates Ernie's key contribution to rock deformation and structural geology by bringing together a collection of papers that represent this broad approach. The papers within the volume address key issues that remain within these fields. These range from fundamental studies of brittle and plastic behaviour along with the resultant structures and microstructures from both the field and laboratory, to applied problems where a better understanding of the deformation and properties of the crust is still needed.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

This title was first published in 2003.This highly original and accessible book draws on the author’s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together. This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop.

Based on original interviews, 1970s Rock details the decade's huge range of popular music, evocatively chronicling the artists, trends, and songs of this vibrant period. The scope of sub-genres covered includeds Glam rock, Southern rock, country rock, progressive rock, art rock, folk rock, heavy metal, punk rock, disco, jazz-rock fusion, New Wave, and singer-songwriter oriented material. Artists that get particularly trenchant coverage include Neil Young, The Sex Pistols, Paul Simon, Lynyrd Skynyrd, and Bruce Springsteen.