These thirteen essays offer not only the representations of Swift to which its title refers but also a representation of Swift scholarship at the close of the twentieth century and a return to fundamental questions about the life, writing, and views of Swift, issues raised in part by literary scholarship's return to historicism but also powerfully suggestive of a return to biography.

In this book, Dustin Griffin explores the lifelong conversation between two great eighteenth-century English writers, Swift and Pope.

The Cambridge Companion to Jonathan Swift is a specially commissioned collection of essays. Arranged thematically across a range of topics, this volume will deepen and extend the enjoyment and understanding of Jonathan Swift for students and scholars. The thirteen essays explore crucial dimensions of Swift s life and works. As well as ensuring a broad coverage of Swift s writing - including early and later works as well as the better known and the lesser known - the Companion also offers a way into current critical and theoretical issues surrounding the author. Special emphasis is placed on Swift s vexed relationship with the land of his birth, Ireland; and on his place as a political writer in a highly politicised age. The Companion offers a lucid introduction to these and other issues, and raises new questions about Swift and his world. The volume features a detailed chronology and a guide to further reading.

This book explicates Jonathan Swift's poetry, reaffirming its prominence in competing literary traditions.

This collection of Jonathan Swift’s poetry is separated in three parts, according to their subject matter. The first section are poems addressed to a woman named Stella. Based off a real-life close friend of Swift’s, Esther Johnson, the portion of poetry addressed to Stella contain beautiful tributes to this woman, with simple titles such as Stella’s Birthday March 13, 1727. Though these poems display a tender amount of intimacy shared between the two, Esther Johnson and Jonathan’s relationship is shrouded in mystery, leaving readers and historians to debate if they were just friends or something more romantic. The next section of The Poems of Jonathan Swift are dedicated to a woman called Vanessa, who was based off of one of Swift’s lovers, Esther Vanhomrigh. Their correspondence and his poems about her suggested a more romantic relationship than the one he shared with Stella. With elegant word choice and masterful form, both women and their relationships with Swift are well documented in this book of poems. The final part of The Poems of Jonathan Swift is dedicated to the love of Swift’s career—the satirization of politics. All of Swift’s poems are written in iambic tetrameter and end rhyme, creating a fun and quick reading experience. This is a large collection of poetry covers a wide variety of topics with the humor and satire that Jonathan Swift was famous for. With these attributes, readers are welcome to enjoy Jonathan Swift’s mysterious and passionate relationships as well as his humorous and intelligent criticism of politics. Now presented in an easy-to-read font and with an eye-catching cover design, this edition of The Poems of Jonathan Swift is perfect for a contemporary audience. With the decadent style of classic poetry combined with topics that are both entertaining and relatable, along with this edition’s new features, this classic collection is restored for modern readers.