Subject A. Verses from the Underlands. gnOme, 2016. ISBN-13: 978-0692621578. ISBN-10: 0692621571. 52pp. $6.00. A collection of the fantastical verses of the suspected serial killer known as Subject A, written during his incarceration in a secure psychiatric facility from 1977 to 1980. The poems, baroque reflections of an alternate eldritch reality referred to as “the Underlands,” give seductive and haunting dimension to the poet’s undisproven claim that he never murdered but only “transfigured” his victims in locations “not to be found on any map of the world.” Everyone should be aware that there is a strain of poetry that embraces stricken visions, hopelessly so. They should know that there are bibles of verse, Maurice Rollinat’s Les Névroses for instance, that elegantly sing of sick nightmares and thereby critique the wholesome norm. They should be force-fed this knowledge, if only that they might be robbed of some parcel of their contemptible health. Verses from the Underlands excellently contributes to this mission with its revelations of a supernatural malady with neither a cure nor even an earthly diagnosis. – Thomas Ligotti Some books should be encased in iron and buried in the deepest, blackest hole, never to be read. This is one of them. – Amy Ireland This collection is a valuable and timely addition to the serial killer literature that has emerged from the madness and malaise of 1970s America. Excellently contextualized by a criminologist of patent accomplishment, it has, however, less in common with the poetic invectives typical of the genre, and more, it would seem, with the lyrical tradition of a simultaneously burgeoning heavy metal culture. Taken collectively, Subject A’s charnel verses constitute something like a concept album that—meticulously detailing the terrain of an illimitable and unbounded nullity—reaffirms, for a new generation, the mutually complicit, blackening enamor of heavy metal and serial killing. Verses from the Underlands is metallic mythopoeia at its finest. – Edia Connole, co-author of Floating Tomb: Black Metal Theory Outside the grasp of clinical psychology, exceeding the grip of some penal system, and beyond the pale of civilization altogether, the Real is Subject A’s first victim. These verses traverse vast labyrinthine worlds of doom and slaughtered universes where language is left only two choices: to fall silent or turn into a scream. Lucid and deranged, they allow no hiding place or escape into some system of preservation, for nothing will remain untouched here: and all that stands shall fall “in carnage-fields of blood and flames.” – Cergat, author of Earthmare: The Lost Book of Wars Being someone who generally hates poetry that attempts to beautify life, there is something instantly likable in a poetry that twists life into a dagger aimed at itself. These verses stitch together a Dunsanian dream world, but one made of mortuary cloth. – Ben Woodard, author of Slime Dynamics Worth buying just for the blurbs. – Nick Land

National Bestseller • New York Times "100 Notable Books of the Year" • NPR "Favorite Books of 2019" • Guardian "100 Best Books of the 21st Century" • Winner of the National Outdoor Book Award "Mesmerizing…Underland is a portal of light in dark times." —Terry Tempest Williams, New York Times Book Review In Underland, Robert Macfarlane delivers an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time—from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come—Underland takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind. Global in its geography and written with great lyricism, Underland speaks powerfully to our present moment. At once ancient and urgent, this is a book that will change the way you see the world.

When eleven-year-old Gregor falls through a grate in the laundry room of his apartment building, he hurtles into the dark Underland, where spiders, rats and giant cockroaches coexist uneasily with humans. This world is on the brink of war, and Gregor's arrival is no accident. Gregor has a vital role to play in the Underland's uncertain future.

Spies have reported the sighting of a Rat King in the Underland, a character who has been legendary since the Middle Ages. Recognizable by its tremendous size and snow-white coat, the Rat King is destined to bring a World War to the Underland.

Everyone in the Underland has been taking great pains to keep The Prophecy of Time from Gregor. Now, with an army of rats approaching, and his mum and sister still in Regalia, Gregor the warrior must gather up his courage to help defend Regalia and get his family home safely.

Gregor and Boots must return to the Underland to help ward off a plague. It is spreading fast, and when it claims one of Gregor's family, he begins to truly understand his role in the Prophecy of Blood. Gregor must summon all his power to end the biological warfare that threatens the fate of every warmblooded creature.

A discontinuous continuation of fallen, unfollowable imperatives, numbering one thousand three hundred and sixty-one.