Veronica Brady (1929-2015) was a nun, academic and activist. Her intellectual life, firmly rooted in Australian culture, was focussed on stripping the thin veneer of our dominant materialistic culture to forge a greater understanding of our place in a more just world. One-time member of the ABC Board, Brady was a wine-loving, bike-riding, diminutive figure with a fierce reputation for plain speaking. An expert on Australian literature, and living life as a "communist" in a community of Loreto nuns, teaching, she cut a non-conformist figure in an age when the humanist values she upheld seemed increasingly under threat. She strove to defend them with a sharp mind, a contemporary Christian theology, and a willingness to put her boots on the ground in street protests. The essays gathered here by colleagues, students, friends and family bring her compassion, interests and concerns to life with an immediacy, fondness and respect. She inspired others, through her writings, actions and teaching, and the essays reveal her larger-than-life character, her passion for teaching, her concerns for justice for Indigenous Australians, and the intellectual and spiritual legacy she bequeathed to us all.

Veronica Brady in her Own Words, is a collection of essays and papers by Veronica, many unpublished and all without a date and cover a range of topics: religion, the arts, politics and relations with Australian indigenous peoples.

Australian Christians, like Christians in many socities, live in a pluralistic culture. This makes the issues of faith, freedom and their interelationship all the more critical. In a pluralist context, Christian faith and freedom must be expressed and embodied in a coherent rather than discordant way. The authors of these reflections on key ethical concerns represent the Anabaptist, Anglican, Baptist, Lutheran, Methodist, Presbyterian, Roman Catholic and Uniting Church traditions, yet there is a hamrony within this plurality of theological and ecclesiological voices. Contributors include: John Howard Yoder, Charles Birch, Stanley Hauerwas, and Thorwald Lorenzen.

The central argument of the thesis, the representation and reception of otherness, is followed throughout White's novels with the support of a complex critical instrumentarium made up of postcolonial theory, reader response theory, cultural-critical frameworks, alterity theory, and narratology. Otherness in its manifold representations is a main component of Patrick White's fiction. It functions on several levels and this requires a deeper entanglement on the part of the reader. The different levels previously referred to are embodied in the various Others who people White's novels: ethnic Others as members of the Australian multicultural society and the Aborigines as colonial Others, as well as gender Others, who also play an important role in White's fictional world. Reading Patrick White is an exercise in tolerance, endurance and acceptance of alternatives. But the efforts of the reader do not remain unrewarded. In his endeavour to change what it meant to imagine Australia, the writer broke down the barriers of what it meant to imagine otherness.

Patrick White (1912–1990) won the Nobel Prize for Literature in 1973 and remains one of Australia’s most celebrated writers. In 2006, White’s literary executor, Barbara Mobbs, released a highly significant collection of hitherto unpublished papers, reviving mainstream and scholarly interest in his work. 'Patrick White Beyond the Grave' considers White’s writing in light of the new findings, acknowledging his homosexuality in relation to the development of his literary style, examining the way he engages his readers, and contextualizing his life and oeuvre in relation to London and to London life. Thought-provoking, this collection of original essays represents the work of an outstanding list of White scholars from around the globe, and will no doubt inspire further work on White from a rising generation of scholars of twentieth-century literature beyond Australia.

In this diverse collection of essays, performance pieces, poetry and prose, mother as noun, appendage and agenda is mined for meaning in the context of contemporary Australian society.

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