Venice and its environment are perceived to be in peril due to rising sea levels, tourism, and modern development. Are these threats myths or reality? This book explores Venice's environmental risks based on interviews with Venetian environmental campaigners and draws on the mythology of the Venetian Republic. Campaigners' opinions about the mobile dams nearing completion to protect the city reveal that Venice now represents an environmentally-threatened retreat from modernity. This reputation has been established as sustainable development and climate change policies have risen to the top of political agendas in many cities and countries. The book investigates how environmentalism has been transformed from a theory underpinning counter-cultural movements to part of a dominant holistic culture in Western societies. Rather than constraining Venice in search of a mythical harmony with nature, this book offers a ten-point proposal to modernize the city while preserving its ancient heritage.

A technical volume exploring the prospects for decreasing the level of flooding in and around Venice.

Earthly Engagements: Reading Sartre after the Holocene brings together scholars from the Sartre studies community to think through the planetary ecological crisis. Edited by Matthew C. Ally and Damon Boria, the collection explores ways in which Sartre’s existential thought can be read socio-ecologically, illuminating the tightly imbricated earthly and worldly crises of our post-Holocene epoch. Contributors variously discuss phenomenology, ethics, politics, ontology, and metaphysics. Earthly locations include the Icelandic coast, the Minnesota woods, the Indiana Dunes, the Chinese Great Plain, the Venetian Lagoon, and more; worldly situations include that of the artist, the activist, the consumer, the tourist, and more. Through their diversity of methods and substantive concerns, the chapters reveal a wealth of critical and heuristic resources within Sartre’s thought for thinking through and engaging the planetary ecological crisis and its direct ties to global social, economic, and political crises. In full recognition of Sartre’s personal distaste for agrarian settings and wilderness, and some ostensibly anti-environmental philosophical and literary moments, the contributors take the proper Sartrean line that how we view nature and our relationship to nature is neither closed nor predetermined. Like life itself, our worldly relationship to earthly nature is rooted in the sufficiency and open-endedness of freedom.

One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.

This book explores reactions to and representations of natural disasters in early modern Europe. The contributors illustrate how the cultural production of the period - in manuals, treatises, sermons, travelogues and fiction - grappled with environmental catastrophe. Crucially, they interrogate how people in the early modern era rationalized and mediated the threat of events like plagues, great frosts, storms, floods and earthquakes. A vital contribution to environmental history, this book highlights the parallels between early modern responses to natural disaster and climate anxiety in our own era.

Defying both tides and time, Venice has always been a heralded symbol for the triumph of humans over nature as well as their own baser natures. Today, however, all evidence points to a much bleaker future for the Queen of the Adriatic. 'Veniceland Atlantis' examines the environmental and social problems plaguing the city.

We tend to think cities look the way they do because of the conscious work of architects, planners and builders. But what if the look of cities had less to do with design, and more to do with social, cultural, financial and political processes, and the way ordinary citizens interact with them? What if the city is a process as much as a design? Richard J. Williams takes the moment construction is finished as a beginning, tracing the myriad processes that produce the look of the contemporary global city. This book is the story of dramatic but unforeseen urban sights: how financial capital spawns empty towering skyscrapers and hollowed-out ghettoes; how the zoning of once-illicit sexual practices in marginal areas of the city results in the reinvention of culturally vibrant gay villages; how abandoned factories have been repurposed as creative hubs in a precarious postindustrial economy. It is also the story of how popular urban clichés and the fictional portrayal of cities powerfully shape the way we read and see the bricks, concrete and glass that surround us. Thought-provoking and original, Why Cities Look the Way They Do will appeal to anyone who wants to understand the contemporary city, shedding new light on humanity’s greatest collective invention.