What does Venice look like when observed from the perspective of climate change, environmental collapse, and human-animal relations in an age of industrialization and mass extinction? That is, as a privileged observatory of the Anthropocene? This guide, composed of several voices, forms a new, illuminating and disturbing mosaic of Venice and its Lagoon. What does the Venetian School of Painting tell us about our relationship with the environment and animals? What do peripheral places in the Lagoon like Porto Marghera and Pellestrina reveal about the advent and impact of modernity? What stories of extinction lie behind local delicacies like baccalà mantecato? What does the centuries-old relationship of Venetians with water tell us about other cities threatened by an increasingly hostile climate? The guidebook, accompanied by a map, is intended as a tool for learning about the city in a new way. Venice emerges here as a unique ecosystem at risk, but also as a key to understanding our increasingly vulnerable world. Preface by Serenella Iovino

Today we live in what geologists have named the Anthropocene. The Earth has entered a new geological epoch, and the climate crisis is a reality. The crisis is so substantial and complex that our existing knowledge of environmental disasters is insufficient. Without the realization that we, as human beings, are intimately connected to all other kinds of life, we are guilty of a collective sin of omission by ignoring the fundamental connectedness of humanity and nature. We are not just part of the same cycle, we are nature. And since everything affects and is affected by everything else, it seems sufficient to consider the Anthropocene from many perspectives and fields.00'Connectedness' includes a diverse selection of contributions, including Björk, Greta Thunberg, Donna Haraway and Tomas Saraceno, that brings many perspectives and disciplines into the discussion to the crucial period in which we are currently living.

A fundamental natural resource, water and its use not only reflect "modes of production" but also that complex interplay between resources and their exploitation (and domination) by various social agents, who in their turn are inevitably influenced by the abundance or rarity of water supplies. Focusing on scientific, social and economic issues from the 16th to the 19th century, the author, one of Italy's leading historians in this field, looks at the innumerable conflicts that arose over water resources and the environmental impact of projects intended to control them. Venice and Holland are undoubtedly the two most fascinating cases of societies "built on water," with the conquest of vast expanses of marshland - either inland or on the coast (the Dutch polders or the Venetian lagoon) – not only stimulating agricultural production, but also nurturing a deeply-felt relationship between the local populations and the element of water itself. The author rounds off his study by looking at the influence the hydraulic technology developed in Holland would have on many European countries (France, England and Germany in particular) and at questions raised by contemporaries about the environmental impact of agricultural progress and its effects upon the social-economic equilibria within the communities concerned.

This book is an investigation of the ideological dimensions of the disciplinary discourses on science in line with the scholarly tradition of historical epistemology. It offers a programmatic treatment of the political-epistemological problematic along three entangled lines of inquiry: socio-historical, epistemological and historiographical. The book aims for a meta-level integration of the existing scholarship on the social and cultural history of science in order to consider the ways in which struggles for hegemony have constantly informed scientific discourses. This problematic is of primary relevance for scholars in Science Studies, philosophers, historians and sociologists of science, but would also be relevant for anybody interested in scientific culture and political theory.

Was wäre, wenn wir das multistabile, ambivalente und anpassungsfähige Verhalten aktiver Materie als offenen Gestaltungsspielraum verstehen? Die Beiträge dieses Bandes erkunden das formbildende Potenzial des Prozessua-len und Unverfügbaren - von mikrobi-ellem Co-Design über morphogeneti-sche Experimente und atmosphärische Kreationen bis hin zu Plastizität und Lebendigkeit in Architektur, Kunst und Begriffsentwicklung. Im Grenzgang zwischen analogen und digitalen For-men überschreiten die hier vorgestell-ten 19 Perspektiven disziplinäre und methodologische Grenzen und zielen darauf ab, ein neues Paradigma des Materiellen zwischen den Kulturen der Natur- und Geisteswissenschaften und des Designs zu begründen. Interdisziplinäre Beiträge zu aktiven Strukturen, adaptiven Materialien und Nachhaltigkeit Analoge Codes und Praktiken im Zeitalter des Digitalen Forschungsergebnisse des Exzellenzclusters "Matters of Activity. Image Space Material" an der Humboldt-Universität zu Berlin

Where did the term ?amplifying nature? come from? What does it mean that light oscillation, gravity and water circulation are materials of architecture? Where in the history of Polish architecture do we look for planetary design? Can a building be as dynamic as a climate? What has the roof got us used to and can we get unused to it?0The book that accompanies the Amplifying Nature exhibition, presented with the participation of CENTRALA ? Malgorzata Kuciewicz and Simone De Iacobis, with the collaboration of Iza Tarasewicz and Jacek Damiecki at the 16th International Architecture Exhibition ? La Biennale di Venezia, uses examples of local Warsaw projects, proposing a reconfiguration of the narratives on architecture-in-nature and nature-in-architecture. In its optics, a planetary scale is necessary for architectural analysis: the Earth in a geological-astronomical system as a system supporting life as we know it.00Exhibition: Polish Pavilion, 16th Architecture Biennale, Venice, Italy (26.05. - 25.11.2018).