A collection of essays on Vaughan Williams explores his musical language, cultural context and biography.

This textbook introduces students to the sub-field of critical security studies through a detailed yet accessible survey of emerging theories and practices. This third edition contains two new chapters – on ‘Ontological security’ and ‘(In)Security and the everyday’ – and has been fully revised and updated. Written in an accessible and clear manner, Critical Security Studies: offers a comprehensive and up-to-date introduction to critical security studies locates critical security studies within the broader context of social and political theory evaluates fundamental theoretical positions in critical security studies against a backdrop of new security challenges. The book is divided into two main parts. Part I, ‘Approaches’, surveys the newly extended and contested theoretical terrain of critical security studies: constructivist theories, Critical Theory, feminist and gender approaches, postcolonial perspectives, poststructuralism and International Political Sociology, Ontological security, and securitisation theory. Part II, ‘Issues’, examines how these various theoretical approaches have been put to work in critical considerations of environmental and planetary security; health, human security and development; information, technology and warfare; migration and border security; (in)security and the everyday; and terror, risk and resilience. The historical and geographical scope of the book is deliberately broad and each of the chapters in Part II concretely illustrates one or more of the approaches discussed in Part I, with clear internal referencing allowing the text to act as a holistic learning tool for students. This book is essential reading for upper level students of critical security studies, and an important resource for students of international/global security, political theory and international relations.

Critical annotations and supportive text will direct scholars to the most relevant studies in their discipline Multiple indices make it easy to locate items within the guide

This collection is filled with songs that tell of the pleasures and pains of love, the patterns of the countryside and the lives of ordinary people. Here are unfaithful soldiers, ghostly lovers, whalers on stormy seas, cuckolds and tricksters. By turns funny, plain-speaking and melancholic, these songs evoke a lost world and, with their melodies provided, record a vital musical tradition. Generations of inhabitants have helped shape the English countryside � but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land � as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man�s relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

Vaughan Williams' nine symphonies are among the finest pieces of music written in the twentieth century, each one revealing new aspects of Vaughan Williams' formidable creative personality. But for many years these works were undervalued by imperceptive critics - and Vaughan Williams did himself no favours by joking, with misplaced humility, about what he felt was his own lack of expertise. Lionel Pike's penetrating analysis of all nine works reveals the hidden complexities that lie below the surface. He argues that RVW' has been consistently denied his rightful place in twentieth-century music and in the history of the symphony, and that close investigation can uncover elements of construction that show the mind of a genius at work. LIONEL PIKE is Senior Lecturer in Music at Royal Holloway (University of London), and has been organist of the college chapel since 1969. For four years he was Dean of the Faculty of Music in the University of London. He was a chorister and assistant organist at Bristol Cathedral, and at the University of Oxford he was organ scholar of Pembroke College.

This edited collection formalises Critical Border Studies (CBS) as a distinctive approach within the interdisciplinary border studies literature. Although CBS represents a heterogeneous assemblage of thought, the hallmark of the approach is a basic dissatisfaction with the ‘Line in the Sand’ metaphor as an unexamined starting point for the study of borders. A headline feature of each contribution gathered here is a concerted effort to decentre the border. By ‘decentring’ we mean an effort to problematise the border not as taken-for-granted entity, but precisely as a site of investigation. On this view, the border is not something that straightforwardly presents itself in an unmediated way. It is never simply ‘present’, nor fully established, nor obviously accessible. Rather, it is manifold and in a constant state of becoming. Empirically, contributors examine the changing nature of the border in a range of cases, including: the Arctic Circle; German-Dutch borderlands; the India-Pakistan region; and the Mediterranean Sea. Theoretically, chapters draw on a range of critical thinkers in support of a new paradigm for border research. The volume will be of particular interest to border studies scholars in anthropology, human geography, international relations, and political science. Critical Border Studies was published as a special issue of Geopolitics.

A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.