This series of biographies presents the great composers against the background of their times. Each draws on personal letters and recollections, engravings, paintings and, when they exist, photographs, to present a complete picture of the composer's life.

Ir has been said that no music amplifies the french ideals of precision and good taste better than the work of Maurice Ravel, yet his background could scarecly have been more cosmopolitan. The son of a Swiss father and a Basque mother, he was born near St. Jean de Luz in 1875; he died in Paris at the age of sixty-two. His primary inspiration, and in consequence the character of his best music, came from art and life. He was exceptionally sensitive to the new current of thought and the aesthetic changes in the Arts following the First World War. Indeed, the music of Ravel is an accuarate reflection of the man himself. This lavishly illustrated book which sets the work and achievements of Ravel in the context of the events of his time, will appeal to the general music lover and also to the serious student.

This is a compelling and inspiring look at spiritual beliefs that influenced some of the world's greatest composers, now revised and expanded with eight additional composers.

This book traces the remarkable course of a creative career which spanned the drawing rooms of the Imperial Russia and the social ferment of 1960s America, and serve to establish Stravinsky not only as the most celebrated composer of his time but also as one of the defining forces of twentieth-century culture.

A series of biographies of the great composers which present the subjects against the social background of their times. This volume focuses on Grieg and draws on personal letters and recollections, engravings, paintings and - where they exist - photographs, to build up a complete picture of the composer’s life.

My book begins with a brief consideration of what we mean by “English music” and what factors are involved. I explain the reasons behind my choice of composers for consideration, and for the omissions from the survey.

A Kirkus Reviews Best Nonfiction of 2011 title In the late 1960s, with popular culture hurtling forward on the sounds of rock music, some brave musicians looked back instead, trying to recover the lost treasures of English roots music and update them for the new age. The records of Fairport Convention, Pentangle, Steeleye Span, and Nick Drake are known as "folk rock" today, but Rob Young's epic, electrifying book makes clear that those musicians led a decades-long quest to recover English music-and with it, the ancient ardor for mysticism and paganism, for craftsmanship and communal living. It is a commonplace that rock and R&B came out of the folk and blues revivals of the early 1960s, and Young shows, through enchanting storytelling and brilliant commentary, that a similar revival in England inspired the Beatles and Pink Floyd, Led Zeppelin and Traffic, Kate Bush and Talk Talk. Folklorists notated old songs and dances. Marxists put folk music forward as the true voice of the people. Composers like Benjamin Britten and Ralph Vaughan Williams devised rich neo-traditional pageantry. Today, the pioneers of the "acid folk" movement see this music as a model for their own. Electric Eden is that rare book which has something truly new to say about popular music, and like Greil Marcus's Lipstick Traces, it uses music to connect the dots in a thrilling story of art and society, of tradition and wild, idiosyncratic creativity.