Vastarien: A Literary Journal is a source of critical study and creative response to the corpus of Thomas Ligotti as well as associated authors and ideas. The journal includes nonfiction, literary horror fiction, poetry, artwork and non-classifiable hybrid pieces.

The second volume in a series of revised editions of the horror story collections of Thomas Ligotti.

Vastarien: A Literary Journal is a source of critical study and creative response to the corpus of Thomas Ligotti as well as associated authors and ideas. The journal includes nonfiction, literary horror fiction, poetry, artwork and non-classifiable hybrid pieces. Another double issue! Cover art by Anna Trueman and over 300 pages of all new stories, articles, lyric essays, poetry, hybrid pieces and visual art. Contributors include Hailey Piper, Carson Winter, Stephanie M. Wytovich, Greg Sisco, Joanna Parypinski, Dejan Ognjanovic, Christi Nogle, Kurt Fawver, Ivy Grimes, Clint Smith, and many more!

Ever since the first edition of Ligotti's "Songs of a Dead Dreamer" appeared in 1985, it was clear that here was an author of extraordinary brilliance. Now here is a book about him, a symposium of explorations and examinations of the Ligottian universe by leading critics.

Offering an innovative approach to the Gothic, Gothic Things: Dark Enchantment and Anthropocene Anxiety breaks ground with a new materialist analysis of the genre, highlighting the ways that, since its origins in the eighteenth century, the Gothic has been intensely focused on “ominous matter” and “thing power.” In chapters attending to gothic bodies, spaces, books, and other objects, Gothic Things argues that the Gothic has always been about what happens when objects assume mysterious animacy or potency and when human beings are reduced to the status of just one thing among many—more powerful—others. In exploring how the Gothic insistently decenters the human, Jeffrey Andrew Weinstock reveals human beings to be enmeshed in networks of human and nonhuman forces mostly outside of their control. Gothic Things thus resituates the Gothic as the uncanny doppelgänger of twenty-first-century critical and cultural theory, lurking just beneath the surface (and sometimes explicitly surfacing) as it haunts considerations of how human beings interact with objects and their environment. In these pages the Gothic offers a dark reflection of the contemporary “nonhuman turn,” expressing a twenty-first-century structure of feeling undergirded by anxiety over the fate of the human: spectrality, monstrosity, and apocalypse. Substituting horror for hope, the Gothic, Weinstock explains, has been a philosophical meditation on human relations to the nonhuman since its inception, raising significant questions about how we can counter anthropocentric thought in our quest to live more harmoniously with the world around us.

Transgressive and bleakly funny, terrifying but surprisingly humane, The Half-Freaks showcases Nicole Cushing's ever-evolving take on the Weird.

With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Shulz, but with a strikingly unique vision, Jon Padgett's The Secret of Ventriloquism heralds the arrival of a significant new literary talent. Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both. A bullied child who seeks vengeance within a bed's hollow box spring; a lucid dreamer haunted by an impossible house; a dummy that reveals its own anatomy in 20 simple steps; a stuttering librarian who holds the key to a mill town's unspeakable secrets; a commuter whose worldview is shattered by two words printed on a cardboard sign; an aspiring ventriloquist who spends a little too much time looking at himself in a mirror. And the presence that speaks through them all.