Ancient Roman senator and historian Publius Cornelius Tacitus is known throughout Western history as one of the greatest historical writers of the Silver Age of Latin literature. He lived during the first century AD and was the son of a wealthy aristocratic family. Not much is known about his personal life; however, it is clear that both Tacitus and Pliny the Elder were acquaintances and even possibly childhood friends, though there is no substantial evidence to support this. Tacitus studied rhetoric in order to create a career in law and politics. He steadily rose throughout the ranks due to his strong speaking style and oration skills. However, his language skills did not stop with verbal speeches. He was also an accomplished writer who focused on the history of the Roman Empire. He created five works, "The Annals," "The Histories," "The Agricola," "The Germania," and "A Dialogue on Oratory." His works delve deep into the facts as he knew them, rarely ever embellishing history to create a story. He also stayed true to chronological order and laid history out in visible steps. It is also notable that Tacitus knew that his fellow politicians were corrupt; he believed that they gave up their strong voice in order to please a usually corrupt emperor. These five great works are brought together in this collection of "The Complete Works of Tacitus."

The beloved fable about being yourself from four-time Caldecott Honor-winner Leo Lionni. Unlike other crocodiles, Cornelius walks upright, sees things, and does tricks no other crocodile can. His friends aren't impressed. "So what?" they say when he demonstrates standing on his head or hanging from his tail. At first, Cornelius is disappointed, but things aren't always what they seem, and life on the riverbeach is about to undergo some big changes. Children will draw inspiration from this tale of a crocodile who marches to his own drummer.

Originally an ascribed identity that cast non-Jewish Christ-believers as an ethnic other, “gentile” soon evolved into a much more complex aspect of early Christian identity. Gentile Christian Identity from Cornelius to Constantine is a full historical account of this trajectory, showing how, in the context of “the parting of the ways,” the early church increasingly identified itself as a distinctly gentile and anti-Judaic entity, even as it also crafted itself as an alternative to the cosmopolitan project of the Roman Empire. This process of identity construction shaped Christianity’s legacy, paradoxically establishing it as both a counter-empire and a mimicker of Rome’s imperial ideology. Drawing on social identity theory and ethnography, Terence Donaldson offers an analysis of gentile Christianity that is thorough and highly relevant to today’s discourses surrounding identity, ethnicity, and Christian-Jewish relations. As Donaldson shows, a full understanding of the term “gentile” is key to understanding the modern Western world and the church as we know it.

While challenging the teacher as hero trope, We Got This shows how authentically listening to kids is the closest thing to a superpower that we have. Cornelius identifies tools, attributes, and strategies that can augment our listening.

Trebia. Trasimene. Cannae. With three stunning victories, Hannibal humbled Rome and nearly shattered its empire. Even today Hannibal's brilliant, if ultimately unsuccessful, campaign against Rome during the Second Punic War (218-202 BC) make him one of history's most celebrated military leaders. This biography by Cornelius Nepos (c. 100-27 BC) sketches Hannibal's life from the time he began traveling with his father's army as a young boy, through his sixteen-year invasion of Italy and his tumultuous political career in Carthage, to his perilous exile and eventual suicide in the East. As Rome completed its bloody transition from dysfunctional republic to stable monarchy, Nepos labored to complete an innovative and influential collection of concise biographies. Putting aside the detailed, chronological accounts of military campaigns and political machinations that characterized most writing about history, Nepos surveyed Roman and Greek history for distinguished men who excelled in a range of prestigious occupations. In the exploits and achievements of these illustrious men, Nepos hoped that his readers would find models for the honorable conduct of their own lives. Although most of Nepos' works have been lost, we are fortunate to have his biography of Hannibal. Nepos offers a surprisingly balanced portrayal of a man that most Roman authors vilified as the most monstrous foe that Rome had ever faced. Nepos' straightforward style and his preference for common vocabulary make Life of Hannibal accessible for those who are just beginning to read continuous Latin prose, while the historical interest of the subject make it compelling for readers of every ability.

“A serious comic novel about human failings and forgiveness. This remarkable study of a doorman will stay with you, and live on.” —Allison Janney, Oscar Award–winning actress Cornelius Sky is a doorman in a posh Fifth Avenue apartment building that houses New York City’s elite, including a former First Lady whose husband was assassinated while in office. It is 1974 and New York City is heading toward a financial crisis. At work, Connie prides himself on his ability to buff a marble floor better than anyone, a talent that so far has kept him from being fired for his drinking. He pushes the boundaries of his duties, partying and playing board games with the former First Lady’s lonely thirteen-year-old son in the service stairwell—the only place where the boy is not spied upon mercilessly by the tabloid press and his Secret Service detail. Connie believes he is the only one who can offer true solace and companionship to this fatherless boy, but his constant neglect of his own sons and their mother reaches a boiling point. His wife changes the locks on his own door, and he finds himself wandering the mean streets of the city in his uniform, where unlikely angels offer him a path toward redemption. Cornelius Sky is an elegant picaresque that beautifully captures an opulent city on the edge of ruin and recovery. “A novel that seems to be everywhere, and is superbly told. The storyteller has the sharp eye and calm voice of an intrigued looker-on.” —Larry Heinemann, National Book Award–winning author of Paco’s Story “A dramatically satisfying and emotional resonant novel.” —Publishers Weekly