• Winner of the 1996 Drue Heinz Literature Prize When asked to describe her short stories, Edith Pearlman replied that they are stories about people in peculiar circumstances aching to Do The Right Thing. She elaborated with the same wit and intimacy that make her stories a delight to read:"Before I was a writer I was a reader; and reading remains a necessary activity, occupying several joyous hours of every day. I like novels, essays, and biographies; but most of all I like the short story: narrative at its most confiding. "My own work, and particularly the stories in Vaquita, aims at a similar intimacy between writer and reader. My imagined reader wants to know who loves whom, who drinks what, and, mostly, who answers to what summons. Thank Heavens for Spike Lee! Before his movies writers and critics had to natter about moral stances; now I can say with a more tripping tongue that my characters are people in peculiar circumstances, aching to Do The Right Thing if only they can figure out what The Right Thing is. If not, they'll at least Do Their Own Right Thing Right. "And I'm drawn to heat: sweltering Central American cities; a steamy soup kitchen; Jerusalem in midsummer; the rekindled passion of an old historian; the steady fire of terminal pain. I like solitaires, oddities, charlatans, and children. My characters are secretive; in almost every story somebody harbors a hidden love, dread, regret, or the memory of an insult awaiting revenge. "When I stop writing stories I plan to write letters, short and then shorter. My mother could put three sentences onto a postcard and make the recipient think he'd read a novel. I'm working towards a similar compression."

"Intrepid conservation detective story." --Nature "A lucid, informed, and gripping account...a must-read." --Science "Passionate...a heartfelt and alarming tale." --Publishers Weekly "Gripping...a well-told and moving tale of environmentalism and conservation." --Kirkus "Compelling." --Library Journal In 2006, vaquita, a diminutive porpoise making its home in the Upper Gulf of California, inherited the dubious title of world's most endangered marine mammal. Vaquita have been in decline for decades, dying in illegal gillnets intended for a giant fish, totoaba. Author Brooke Bessesen takes us to the Upper Gulf region in search of answers to a heart-wrenching dilemma. When diplomatic efforts to save the porpoise failed, Bessesen followed a scientific team in a binational effort to capture remaining vaquita and breed them in captivity--the only hope for their survival. In this fast-paced, soul-searing tale, she learned that there are no easy answers when extinction is profitable.

The Vaquita is a book about the world's most endangered marine mammal, the Vaquita porpoise. Less than 100 remain, and this book provides information on their biology as well has how to help them. Complete with original illustrations and poetry, this book is great for anyone interested in the natural world.

An accident-prone cow is ostracized by the other farm animals until her clumsiness saves the day. Includes vocabulary words and discussion questions.

'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike – and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confession of her mother's affair-Edith Pearlman crafts a timeless and unique sensibility, shot through with wit, lucidity and compassion. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe Edith Pearlman (1936–2023) published her debut collection of stories in 1996, aged 60. She won The National Book Critics Circle Award for Fiction for Binocular Vision. She published over 250 works of short fiction in magazines, literary journals, anthologies and online publications. Her work won three O. Henry Prizes, the Drue Heinz Prize for Literature, and a Mary McCarthy Prize, among others. In 2011, Pearlman was the recipient of the PEN/Malamud Award, which put her in the ranks of luminaries like John Updike and Joyce Carol Oates.

• Winner of the 1997 Drue Heinz Literature Prize This collection is filled with narrative and character grounded in the meaning and value the earth gives to human existence. In one story, a woman sleeps with the village priest, trying to gain back the land the church took from her family; in another, relatives in the Azores fight over a plot of land owned by their expatriate American cousin. Even apparently small images are cast in terms of the earth: Milton, one narrator explains, has made apples the object of a misunderstanding by naming them as Eden's fruit: "In the Bible, no fruit is named in the Garden of Eden - and to this day apples are misunderstood. They were trying to tempt people not into sin but into listening to the earth more closely. . . . their white meal runs wet with the knowledge of the language of the land, but people do not listen."Vaz's beautiful, intensely conscious language often delicately slips her stories into the realm of the fado, the Portuguese song about fate and longing. "Listen for the nightingale that presses its breast against the thorns of the rose," on character sings, "that the song might be more beautiful." Such a verse might describe Vaz's own motive behind her willingness to confront her subject's ambiguities and her characters' conflicts - the simultaneous joy and sorrow of some of life's discoveries, the pain sometimes hidden within passion and pleasure.

Chosen by Joanna Scott as winner of the 2003 Mary McCarthy Prize in Short Fiction.