In this original and fascinating book, Stuart Clark investigates the cultural history of the senses in early modern Europe. At a time in which the nature and reliability of human vision was a focus for debate in medicine, art theory, science, and philosophy, there was an explosion of interest in the truth (or otherwise) of miracles, dreams, magic, and witchcraft. Was seeing really believing? Vanities of the Eye wonderfully illustrates how this was woven into contemporary works such as Macbeth - deeply concerned with the dangers of visual illusion - and exposes early modern theories on the relationship between the real and the virtual.

Vanities of the Eye investigates the cultural history of the senses in early modern Europe, a time in which the nature and reliability of human vision was the focus of much debate. In medicine, art theory, science, religion, and philosophy, sight came to be characterised as uncertain or paradoxical - mental images no longer resembled the external world. Was seeing really believing? Stuart Clark explores the controversial debates of the time - from the fantasies and hallucinations of melancholia, to the illusions of magic, art, demonic deceptions, and witchcraft. The truth and function of religious images and the authenticity of miracles and visions were also questioned with new vigour, affecting such contemporary works as Macbeth - a play deeply concerned with the dangers of visual illusion. Clark also contends that there was a close connection between these debates and the ways in which philosophers such as Descartes and Hobbes developed new theories on the relationship between the real and virtual. Original, highly accessible, and a major contribution to our understanding of European culture, Vanities of the Eye will be of great interest to a wide range of historians and anyone interested in the true nature of seeing.

Drawing on optic theory, ethnography, and the visual cultures of Christianity, this volume explores various discourses of vision in early modern Europe and the colonial Americas.

Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe's first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe's novel is a big, panoramic story of the metropolis that reinforces the author's reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.

NEW YORK TIMES BESTSELLER • GMA BOOK CLUB PICK • The author of the international phenomenon Crazy Rich Asians takes us from Capri to NYC, where a young woman finds herself torn between two men—and two very different cultures. "Another riveting tale of privilege, culture and romance ... extravagant fashion and deceit, resulting in one truly modern love story." —CNN On her very first morning on the jewel-like island of Capri, Lucie Churchill sets eyes on George Zao and she instantly can't stand him. She can't stand it when he gallantly offers to trade hotel rooms with her so that she can have a view of the Tyrrhenian Sea, she can't stand that he knows more about Casa Malaparte than she does, and she really can't stand it when he kisses her in the darkness of the ancient ruins of a Roman villa and they are caught by her snobbish, disapproving cousin Charlotte. The daughter of an American-born Chinese mother and a blue-blooded New York father, Lucie has always sublimated the Asian side of herself in favor of the white side, and she adamantly denies having feelings for George. But several years later, when George unexpectedly appears in East Hampton, where Lucie is weekending with her new fiancé, Lucie finds herself drawn to George again. Soon, Lucie is spinning a web of deceit that involves her family, her fiancé, the co-op board of her Fifth Avenue apartment building, and, ultimately, herself as she tries mightily to deny George entry into her world—and her heart. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View, and a brilliantly funny comedy of manners set between two cultures.

The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.

Despite the wishes of her overprotective fiancé, Sarah Booth Delaney can't give up her detective work, no matter how dangerous it becomes. It's too much a part of her. On this case, avoiding danger might be impossible—she's on the trail of a porn-star-turned-psychic operating from a haunted estate on the edge of town. Medium Sherry Cameron promises to reunite grieving family members with their dearly departed, but it seems vaguely suspicious that Sherry will only accept emotionally vulnerable and tremendously wealthy clients. Aging billionaire Marjorie Littlefield fits the profile perfectly—her daughter died in a tragic accident as a young girl, she's been estranged from her son for decades, and she's planning to leave her considerable inheritance to her cat. Convinced she's uncovered a scheme to separate a lonely woman from her fortune, Sarah Booth talks her way onto the estate as a maid, where she finds Marjorie and several other wealthy eccentrics ready to commune with the dead. Between chores, Sarah Booth explores the estate, mingles with the other staff...and finds a few dead bodies. But which guest or staff member might be the killer? Even Jitty, Sarah Booth's personal haint, won't tell until Sarah Booth has uncovered all of Sherry's well-kept secrets. With spooks and charlatans around every corner, Sarah Booth is the only PI in the southlands who can put an end to this elaborate scam in Bonefire of the Vanities, the charming twelfth entry in Carolyn Haines's sparkling series.