To mark the 100th anniversary of the cityas founding and the arrival of the first trans-Canada train, Vancouveras political and business leaders invited the whole world to participate in the festivities. The result was Expo a86, and more than 22 million people came for the party. It took eight years of planning and hard work to transform a former railroad yard into a colourful showplace full of pavilions and shows for the six-month event, but those lucky enough to have been there would agree that it was worth it. Expo a86, truly a worldas fair, included pavilions from 9 provinces and territories, 54 nations and international groups, and 3 American states. Many of Canadaas largest industries joined in, as well, to celebrate the fairas theme, aA World in Movement, A World in Touch.a Vintage photographs recapture the fun and excitement of the largest event held to that time in British Columbia.

Until the 1980s, Vancouver was a typical mid-sized North American city. But between Expo 86 and the Olympic Games in 2010, something extraordinary happened. This otherwise unremarkable city underwent a radical transformation that saw it emerge as an inspiring world-class metropolis celebrated for its livability, sustainability, and competitiveness. City-watchers everywhere took notice and wanted to learn more about this new model of urban growth, and the term “Vancouverism” was born. This book tells the story of Vancouverism and the urban planning philosophy and practice behind it. The author is a former chief planner of the City of Vancouver and was a key player at the heart of the action. Writing from an insider’s perspective, Larry Beasley traces the principles that inspired Vancouverism and the policy framework developed to implement it. The prologue, written by Vancouver journalist Frances Bula, outlines the political and urban history of Vancouver up until the 1980s. The text is also beautifully illustrated by the author with more than 200 colour photographs. Cities everywhere are asking the same question. Shall we shape change or will change shape us? This book shows how one city discovered positive answers, and it offers the principles, tools, and inspiration for others to follow.

World's fairs were created to show off the wonders of the industrial revolution. But industrial progress has led to a polluted planet. This book provides an overview of world's fairs at the turn of the millenium. It describes the nature of fairs, shows how they evolved, & considers where they may be headed. The author demonstrates how fairs have tried to cope with the environmental consequences of the idea of progress they have traditionally celebrated. He suggests how fairs (& by implication the society as a whole) can do a better job of it in the future.

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Few twentieth-century artists were catalysts for the reclamation of a culture, but Iljuwas Bill Reid (1920-1998) was among them. The first book on the artist by an Indigenous scholar details Reid's incredible journey to becoming one of the most significant Northwest Coast artists of our time. Born in British Columbia and denied his mother's Haida heritage in his youth, Iljuwas Bill Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making. Over his fifty-year career, he created nearly a thousand original works and dozens of texts, and he is remembered as a passionate artist, community activist, mentor, and writer. Reid was often said to embody the Raven, a trickster who transforms the world. He followed in the footsteps of his great-great-uncle, master Haida artist Daxhiigang (Charles Edenshaw), engaging with a culture whose practices were once banned by the Indian Act and producing symbols for a nation. His iconic large-scale works now occupy sites such as the Canadian Embassy in Washington, D.C., and the Museum of Anthropology at the University of British Columbia in Vancouver. Reid's legacy is a complex story of power, resilience, and strength. In Iljuwas Bill Reid: Life & Work, acclaimed scholar Gerald McMaster examines how the artist made a critical inquiry into his craft throughout his life, gaining a sense of identity, purpose, and impact.

This book examines the development of Vancouver’s unique approach to zoning, planning, and urban design from its inception in the early 1970s to its maturity in the management of urban change at the beginning of the twenty-first century. By the late 1990s, Vancouver had established a reputation in North America for its planning achievement, especially for its creation of a participative, responsive, and design-led approach to urban regeneration and redevelopment. This system has other important features: an innovative approach to megaproject planning, a system of cost and amenity levies on major schemes, a participative CityPlan process to underpin active neighbourhood planning, and a sophisticated panoply of design guidelines. These systems, processes, and their achievements place Vancouver at the forefront of international planning practice. The Vancouver Achievement explains the evolution and evaluates the outcomes of Vancouver’s unique system of discretionary zoning. The introductory chapters set the context for the study: they cover the invention and refinement of this system in the reform movement, its development of policies, guidelines, and control processes, and its translation into official development plans and neighbourhood design in the 1970s. Subsequent chapters focus upon the downtown, waterfront megaprojects, single-family neighbourhoods, the city-wide strategic planning programme (CityPlan), pressures for reform of control processes, and current downtown and inner city developments, especially issues of affordable housing, social exclusion, and multiple deprivation. The concluding chapter summarizes The Vancouver Achievement, explains the keys to its success, and evaluates its design success against internationally accepted criteria. Heavily illustrated with over 160 photos and figures, this book – the first comprehensive account of contemporary planning and urban design practice in any Canadian city – will appeal to academic and professional audiences, as well as the general public