An account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s. Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own. Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond. In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.

From Black Sabbath to Big Black, a ride through the evolution, diversity, and influence of genre-defying heavy music. It began with the Beatles’ “Helter Skelter.” It was distilled to its dark essence by Black Sabbath. And it has flourished into a vibrant modern underground, epitomized by Newcastle’s Pigs Pigs Pigs Pigs Pigs Pigs Pigs. This is the evolution of heavy music. The voyage is as varied as it is illuminating: from the lysergic blunt trauma of Blue Cheer to the locked grooves of Funkadelic, the aural frightmares of Faust to the tectonic crush of Sleep, alighting on post-punk, industrial, grunge, stoner rock, and numerous other genres along the way. Ranging from household names to obscure cult heroes and heroines, Electric Wizards demonstrates how each successive phase of heavy music was forged by what came before, outlining a rich and eclectic lineage that extends far beyond the usual boundaries of heavy rock or heavy metal. It extols those who did things differently, who introduced something fresh and exciting into this elemental tradition, whether by design, accident, or sheer chance. In doing so, Electric Wizards weaves an entirely new tapestry of heavy music.

A detailed history of the rise, fall and rise again of Progressive Rock, from its beginnings in the 60s to the vibrant contemporary scene in the new millennium. Completely Revised and updated for 2013

This is an inspiring, behind-the-scenes memoir about the First Female Rock Duo in Britain, Emily Muff, that blazed a trail during the Golden Age of Rock. Co-founded in London by two gutsy young American women in 1968, author Kathy Bushnell provides a first-hand account of what it was like to navigate the choppy waters of the male-dominated world of rock. She and her bandmate, Janet, wrote original songs and sang powerful harmonies. They also played Telecaster and Rickenbacker electric guitars, keyboards, flute, and blues harmonicas. Their female rock duo toured Great Britain extensively, opening concerts for the bands Family and Quintessence. It also appeared on the same bill as Yes, the Move, Steppenwolf, Van der Graaf Generator, the Nice, and America. Emily Muff received offers from several record companies, and also appeared on BBC Wales-TV and BBC London-TV. It wasn't always an easy road, but Kathy and Janet's creativity and determination helped Emily Muff achieve recognition as a bona fide chick rock duo in Britain. EM & MOO: Legacy of a '60s Female Rock Duo will appeal to a wide range of readers, including teens and young women/men who aspire to enter the rock 'n' roll arena. It will also be of interest to history buffs, and Baby Boomers eager to reconnect with the psychadelic scene and amazing music of the late '60s-early '70s.

"Suddenly, this skinny, longhaired kid who had been lounging against the wall inside sprang forward to confront me, rolling and popping his eyes, intensely vibing me with his own personal voodoo. He looked electric, on fire--as if he was about to jump out of his own skin. He was the very image of the young Tim Buckley--same sensual, red-lipped mouth, same sensitive, haunted, blazing eyes. He was a beautiful boy: so charismatic, so handsome, his chiseled face both angelic and demonic. This was obviously Jeff Buckley." Touched By Grace is a revealing account of the time Gary spent working with Jeff Buckley during Jeff's early days in New York City. It describes their magical first performance together at the Greetings From Tim Buckley concert in 1991, the creation of their landmark songs 'Grace' and 'Mojo Pin,' their plan to take on the world together in Gary's band Gods and Monsters--and then the moment when Jeff pulled the plug, opting instead to pursue a solo deal with Columbia Records, the very label that had recently cut short its contract with the original incarnation Gods and Monsters. In this fascinating and revelatory book, Gary writes with heartfelt honesty about the highs and lows of this unique creative collaboration, providing an eye-opening insight into a world of music, passion, betrayal, and more.