Liz Austen investigates gloomy Blackwater estate, home of the fearful Baron Zaba.

Vampires of Ottawa takes Liz Austen into the world of Baron Nicolai Zaba within the walls of the Blackwater estate. Liz must uncover the secrets behind the chapel's underground vault and why the words "In Evil Memory" are scrawled on a wall. Appealing to children's inherent keen interest in mystery, Eric Wilson has skillfully woven accurate Canadian geographic and historic information into his writing. As such, these novels lend themselves to the integrated study of the mystery genre with Canadian geography topics in social studies, and investigation units in science. Vampires of Ottawa provides rich material for the study of setting, characterization and plot development. This Novel Study provides a teacher and student section with a variety of activities, chapter questions, crossword, and answer key to create a well-rounded lesson plan.

The law of three is unbroken: three vampires form a coterie, three demons make a pack, and three wizards are a coven. That is how it has always been, and how it was always to be. But Luc, Anders, and Curtis—vampire, demon, and wizard—have cheated tradition. Their bond is not coterie, pack, or coven, but something else. Thrust into the supernatural politics ruling Ottawa from behind the shadows, they face Renard, a powerful vampire who harbors deadly secrets of his own and wishes to end their threat. The enemy they know conjures fire and death at every turn. The enemies they don’t know are worse. Blood, soul, and magic gave them freedom. Now they need to survive it.

An assortment of real Canadian mysteries published on MysteriesOfCanada.com throughout the year 2018. Includes tales of clairvoyance, ghosts, poltergeists, lost treasure, superstitions, haunted hotels, and monsters.

From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore. Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized. Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in. Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Citing examples from folklore, as well as horror films, TV shows, and works of fiction, this book details all known ways to prevent vampirism, including how to protect oneself against attacks and how to destroy vampires. While offering explanations on the origins and uses of most commonly known tactics in fending off vampirism, the book also delves much deeper by collecting historical accounts of unusual burial rites and shocking superstitions from European history, from the “real” Serbian vampire Arnold Paole to the unique Bulgarian Djadadjii, a professional vampire “bottler.” It traces the evolution of how to kill the fictional vampire—from Bram Stoker’s Dracula and the Hammer horror films beginning in the 1950s to Anne Rice’s Lestat and the dreamy vamps of Twilight, True Blood, and The Vampire Diaries—and also celebrates the most important slayers, including Van Helsing, Buffy, and Blade. In exploring how and why these monsters have been created and the increasingly complex ways in which they are destroyed, the book not only serves as a handy guide to the history and modern role of the vampire, it reveals much about the changing nature of human fears.